Tag Archives: comicbooks

Wonder Woman’s Wintry Foe: The Blue Snowman

WW_BB_Cover (2)-page-001We write a lot about Wonder Woman. We write about her role(s) in nation making and myth making, her background tinged with exceptionalism and her femininity. We write about her big-screen potential, her small-screen potential, and any other mediums she might translate well to. (A serialized podcast, anyone?) What we don’t write about, or at least what we don’t write about often, are her foes—those vanquished, occasionally obliterated super villains who dared to mess with the princess of the Amazon. They are pushed to the periphery, partly hidden behind Diana Prince’s bright sun. Sometimes, however, a villain grinds his/her way back into the orbit, demanding that we take notice. The Blue Snowman is one of those villains.

First appearing in Sensation Comics #59, the Blue Snowman treads a very literal path: he is blue; he is a snowman, albeit one with very bushy eyebrows; and he puffs away at a pipe while plotting mayhem in Fair Weather Valley. A special “blue snow,” a chemical concoction designed to freeze everything and anything, is his weapon of choice. Money is his passion, and blackmail his way of obtaining it. That is, it would be if Wonder Woman hadn’t received a distress call from a friend in Fair Weather Valley, begging for the “marvelous Amazon resistance (4),” Wonder Woman. A swift kick, a lasso of truth whipped into action, and some near misses later, the Blue Snowman is apprehended and all is well.

BB_Plotting

A tried and true story, perhaps a throw-away story, except for one small twist that you had to know was coming: the Blue Snowman is not really a snowman at all. Behind the snowman suit of iron is Byrna Brilyant, the daughter of a scientific genius who intended to use his blue snow invention to somehow save humanity. (The mechanics of using a blue snow-like substance for good are left up to the readers’ imaginations. I imagine non-melting ice cream is somehow involved.) This game-changer occurs in the penultimate panel of the comic, and yet, to Wonder Woman and crew, it is not actually a game changer.  Byrna’s story thus ends not with a bang, not even with a whimper, but with the slightest sound of a pin dropping hundreds of miles away.

BB_Reveal

Although the reasoning can be guessed, we never learn why Byrna disguises herself as a man; why she chooses to go into crime instead of following in her father’s footsteps; or even why the Blue Snowman’s eyebrows are so bushy. Perhaps we learn her origin story in later comics, but perhaps we don’t. Like so many other super villains (and heroes, for that matter), it seems she can be found mostly in the white gutters between the comic panels. She is liminal, pushing boundaries and existing between boundaries.

She and her brethren don’t have to, though. Within the Edwin and Terry Murray Comic Book Collection, there are over four hundred boxes of comic books and counting. And within those comic books, there are thousands of characters ripe for synthesis, dissemination, and massive extrapolation. So here’s to those characters, those slightly quirky, serviceable villains who seek the limelight but somehow still fall short.

Post Contributed by Liz Adams, Research Services Library Assistant

Star Trek Lives Long and Prospers at the Rubenstein

With the opening of Star Trek Into Darkness this week, it seemed like a good time to check out what our collections have on Star Trek.  As it turns out, Star Trek’s long history before becoming a star-powered summer blockbuster is well represented in our collections.

I found a number of Star Trek comic books in the Edwin and Terry Murray Comic Book Collection which are a lot of fun:

Star Trek Comic May 1973
“The Hijacked Planet” Star Trek #18 (May 1973), Gold Key Comics
"All Those Years Ago" Star Trek Annual v. 1 #1 (1985), DC Comics
“All Those Years Ago” Star Trek Annual v. 1 #1 (1985), DC Comics

 

 

 

 

 

 

 

 

 

 

 

 

 

But my favorite piece comes from the Edwin and Terry Murray Fanzine Collection. Fanzines are nonprofessional publications produced by fans of particular pop culture genres or works.  Most of the fanzines in the Murray collection are from comic book fans, but there are some from the genres of science fiction and fantasy, including issue 3 of Spockanalia. Spockanalia was the first fanzine devoted exclusively to Star Trek. The first issue was published in 1967 during the first season of the original television series. Spocknalia 3 was published in 1968 and features essays on Star Trek, fiction, drawings, and even a letter from Star Trek creator Gene Roddenberry. Here are some highlights:

 

Cover of Spockanalia 3
Cover of Spockanalia 3, drawn by Allan Asherman

 

Letter from Gene Roddenberry
Letter from Gene Roddenberry

 

Vulcan Graffiti, by Sherna Comerford
Vulcan Graffiti, by Sherna Burley
Enterprise Graffiti, by Sherna Comerford
Enterprise Graffiti, by Sherna Burley

 

 

 

 

 

 

 

 

 

 

 

 

 

Young Vulcan's Handbook of Emotional Control
Young Vulcan’s Handbook of Emotional Control, by Deborah Langsam

Post contributed by Kate Collins, Research Services Librarian

From the Rubenstein Wire

Doris Duke at Shangri-La, ca. 1960-65. From the Doris Duke Charitable Foundation Historical Archives.

As we cruise into summer after another busy semester, here’s a rundown of some notable recent news stories about the Rubenstein Library:

New York’s Museum of Arts and Design is preparing an exhibition entitled “Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art,” according to GalleristNY.  The story features a beautiful photo from the Doris Duke Papers on the Shangri La Residence here in the Rubenstein. The exhibition is scheduled to open on September 7, 2012.

Two stories in the Durham Herald-Sun document the Rubenstein Library’s May 15 event to celebrate the publication of Reynolds Price’s final memoir, Midstream, and the fiftieth anniversary of the publication of his first book, A Long and Happy Life.

The Raleigh News and Observer reported on Durham County Library’s Comics Fest.  Rubenstein Assistant Curator Will Hansen spoke about the Library’s comic book collections on a panel entitled “Comics Go to College” with colleagues from Duke and UNC.

The May/June issue of Duke Magazine features a piece on advertising pioneer David Ogilvy, whose career is documented in the Kenneth Roman Papers; an article about Princess Irene’s 1967 visit to Duke by University Archivist Valerie Gillispie; and a column on the American Family Robinson radio serial, rare acetate discs of which are preserved in the Randy Riddle Collection of Race Records and Radio Programs.

Look for more exciting news about the Rubenstein Library in the coming months!

My RBMSCL: Screen Printed Mural in Perkins

When most people think of screen printing they usually visualize Warhol’s “Marilyn” or an indie rock gig poster or a pastel colored beachscape print, but not many folks know that screen prints can also be found printed directly on walls. This summer I had the opportunity to make a mural on a wall in Perkins library (in a hallway leading to the Gothic Reading Room) using a vertical screen printing technique that I’ve been researching. The project is the culmination of a Collaboration Development Grant from the Duke Council for the Arts. The grant also involved bringing Dutch artist Stefan Hoffmann to Duke to share his highly-developed vertical screen printing methods with me; students; staff; and Duke Art, Art History and Visual Studies professor Merrill Shatzman.

Bill Fick's Screen Printed Mural
Close-Up of Bill Fick's Mural

Beyond applying newly developed vertical screen printing techniques, the mural also gave me the opportunity to take advantage, and bring attention, to the RBMSCL’s Edwin and Terry Murray Comic Book Collection. In the past four years I’ve been using the Murray Collection as a teaching tool and resource for my Art of the Comic Book and Zines class. The mural design used appropriated images taken from an assortment of comics found in the collection. These included Marge’s Little Lulu and Tubby, Classics Illustrated – The Black Tulip, The Mark of Zorro and Walt Disney’s Donald Duck. I also used images taken from books found in the Lilly Library comics and graphic novels section (A Steve Ditko monograph and Love and Rockets, New Stories No. 1 by the Hernandez brothers). The images ranged from faces/heads to a standing figure to a tulip flower. I really wasn’t thinking about content but more about interesting shapes and forms—although I did use some text that related to the location of the piece.

The concept for the mural was to make a colorful and active design that used pop culture and street art/graffiti strategies (practiced by contemporary artists like Shepard Fairey, Faile, and Bäst and pioneered by artists like Polke, Rauschenberg, Lichtenstein, and Warhol). This included layering, repetition, and patterning, which can be easily implemented using the vertical screen printing method—one image per screen applied to the wall over and over again. This method also yields unexpected relationships between content and shapes that I find very exciting. The viewer can make their own narrative or allow it to be purely decorative. For this reason, the mural is untitled.

For more information about this project and other vertical screen printing information go to www.verticalscreenprinting.com.

Post contributed by Bill Fick, Visiting Assistant Professor of the Practice of Visual Arts. Thanks to Will Hansen, Assistant Curator of Collections, for coordinating this post.

Free Comic Books!

Today is Free Comic Book Day, which means that comic book shops all over the world will be giving away free comics.

But every day is Free Comic Book Day at the RBMSCL, where everyone can use all of our 56,000 comic books (in the Edwin and Terry Murray Comic Book Collection) for free! You can’t take them with you, but you can spend as much time with them as you want in our reading room.

If you do want to take home some free comics (and who doesn’t?), the closest participating store is Ultimate Comics on Ninth Street in Durham.

Post contributed by Megan Lewis, Technical Services Archivist for the Sallie Bingham Center for Women’s History and Culture.