Stinking for Skinking

Happy Robert Burns Day!

Perchance you’ll be supping on “warm-reekin, rich” haggis in yer luggies this wonderful Burns nicht, in celebration of the Scottish poet’s birth 253 years ago.

If so, or even if not, consider the story of the “Stinking Edition.”

The first volume of poems by Robert Burns, Poems, Chiefly in the Scottish Dialect, was published on July 31, 1786, in Kilmarnok. On the strength of this edition, a second, enlarged edition was planned and published on April 17, 1787 in Edinburgh.

This edition featured an unfortunate misprint in the excellent poem “To a Haggis.” In the last stanza of the sausagey poem, the adjective “skinking,” which means “watery,” was printed as “stinking,” which obviously means “stinking.”

Stinking for skinking

Ye pow’rs, wha mak mankind your care,

And dish them out their bill o’ fare,

Auld Scotland wants nae stinking [skinking] ware,

That jaups in luggies;

But if ye wish her gratfu’ prayer,

Gie her a Haggis!

Trans.:

You powers, who make mankind your care,

And dish them out their bill of fare,

Old Scotland wants no stinking {watery} ware,

That splashes in small wooden dishes;

But if you wish her grateful prayer,

Give her a Haggis!

The Rubenstein’s copy of this so-called Stinking Edition was purchased  by the Duke Library in 1951. It was first owned, however, by one of the original subscribers (or financial supporters) of the edition, a Mr. John Grant, who signed the title page.

Title page with John Grant's signature

Interestingly enough, a keyword search for “stinking” in the Rubenstein library holdings retrieves this book and only this book. No doubt this is a positive thing for our collections.

Let Kodak Tell the Story…

Eastman Kodak announced yesterday that it filed for Chapter 11 bankruptcy protection. The company has had a long struggle to reinvent itself in the digital photography age, having been a pioneer in the industry. The 132-year-old business has had a long and colorful history using advertising to promote its products. Through its advertising, Kodak taught the world what was worthy of picture taking. Think about it: before there were cameras, there were only illustrations and paintings to visually document people, places, and events. With the advent of photography, things could be depicted much more quickly and easily, but people needed to be shown how to use the new technology and inspired to capture images on film. In the multitude of print ads created over the company’s life, Kodak showed us examples of what could be photographed: weddings, graduations, holidays, births, proms, etc.  These ads are literally and figuratively “snapshots” of American life.

The Hartman Center for Sales, Advertising & Marketing History has a significant amount of documentation about Eastman Kodak advertising in the JWT Archives and the Wayne P. Ellis Collection of Kodakiana.  Almost 550 Kodak ads are digitized and included in the Center’s popular web project, Emergence of Advertising in America: 1850-1920.

Due to Eastman Kodak’s bankruptcy declaration, these digitized ads have received quite a bit of attention this week.  Here are a few links to articles using Kodak ads from the Hartman Center’s collections:

Washington Post: http://www.washingtonpost.com/blogs/blogpost/post/kodak-declares-bankruptcy-the-company-that-captured-the-20th-century-photos/2012/01/19/gIQAnR35AQ_blog.html

Business Insider: http://www.businessinsider.com/these-were-the-gorgeous-kodak-ads-that-made-photography-popular-2012-1

The Atlantic: http://www.theatlantic.com/technology/archive/2012/01/the-triumph-of-kodakery-the-camera-maker-may-die-but-the-culture-it-created-survives/250952/

Post contributed by Jacqueline Reid Wachholz, Director of the John W. Hartman Center for Sales, Advertising, and Marketing History.

Rights! Camera! Action!: Wetback

Date: Tuesday, January 24, 2012
Time: 7:00 PM
Location: The Garage, Smith Warehouse Bay 4, 114 S. Buchanan St. (map)
Contact information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu

Join Rights! Camera! Action! and our special co-sponsor Student Action with Farmworkers (SAF) for a screening of Arturo Perez Torres’ “Wetback: The Undocumented Documentary,” winner of the 2005 Full Frame Spectrum Award. This screening is part of a year-long celebration of Student Action with Farmworkers’ 20th Anniversary.

Wetback follows undocumented migrant workers from their home in Nicaragua across Central America and Mexico to the U.S.-Mexican border, meeting many other migrants along the way. They encounter gangs, vigilantes, corrupt law enforcement, physical danger, and safe havens in their attempt to be among the 10% of migrants who actually make it all the way into North America. The migrants, those who aid them, and those who turn them back all give their own perspectives on how this vast, illegal system trafficking in cheap labor and dreams actually functions, and what its terrible costs and perils are.

Immediately following the screening join us for a panel discussion including North Carolina Rep. Paul Luebke (D), 2011 SAF Fellow Nandini Kumar, and SAF Advocacy and Organizing Director, Nadeen Bir.

The film is 92 minutes, in Spanish and English with English subtitles. This event is free and open to the public, with free drinks and popcorn and free parking.

Cosponsored by Student Action with Farmworkers.

About Rights! Camera! Action!:  Featuring award-winning documentaries about human rights themes from Durham’s annual Full Frame Documentary Film Festival, the series explores issues ranging from the immigration and refugee rights to the justice system and the environment. All films featured in the series are archived at the Duke Library and are part of a rich and expanding collection of human rights materials. Co-sponsors include Duke Library’s Human Rights Archive, the Duke Human Rights Center, the Archive of Documentary Arts, the Franklin Humanities Institute and the Program in Arts of the Moving Image (AMI).

Barbaralee Diamonstein-Spielvogel

A monthly series highlighting the Barbaralee Diamonstein-Spielvogel Collection Project and the woman behind the documents.

Diamonstein-Spielvogel

Barbaralee Diamonstein-Spielvogel is a fierce advocate for art in fashion, design and architecture and a leading voice on some of the defining urban issues of our time, including preservation of the historic built environment of the United States. The impact of her work is all around us.  Have you been inside re-adapted buildings?  Diamonstein-Spielvogel was one of the pioneers of adaptive reuse of buildings throughout the country.  Have you seen “Historic neighborhood” medallions on street signs in numerous major cities?  She pushed for those (and still does).  As we start the New Year, we are excited to announce the Barbaralee Diamonstein-Spielvogel Collection, a new addition to the Rubenstein’s Archive for Documentary Arts.

Barbaralee Diamonstein-Spielvogel helps to commemorate the inventor of Scrabble with an historic street sign.

Diamonstein-Spielvogel’s interest in the relationship among the arts, public policy, community and politics has charted the course of her career, fostered her involvement in national and local institutions and organizations, and earned her many awards and honors. As the first Director of Cultural Affairs for New York City, she brought the first public art to Bryant Park in 1987 and the first public performance by the Metropolitan Opera to Central Park. Diamonstein-Spielvogel was appointed by President Reagan to the board of the U.S. Holocaust Memorial Museum in Washington, D.C., and by President Clinton to the U.S. Commission of Fine Arts, where she was elected its first woman vice chair in 2002. In 2010, Barack Obama appointed her as a commissioner of the American Battle Monuments Commission. She has written 20 books and dozens of magazine and newspaper articles and has served as interviewer/producer of nine television series for the Arts and Entertainment Network plus several programs for other national networks, many of which Duke has made available in the Diamonstein-Spielvogel Video Archive.

Diamonstein-Spielvogel's latest book, Landmarks of New York: An Illustrated Record of the City's Historic Buildings

As part of the two-year Diamonstein-Spielvogel Collection Project, we will be processing the 200-plus boxes of manuscripts pertaining to her life and career.  The project will culminate in an exciting exhibit in 2013. In our next post, look for information on Diamonstein-Spielvogel’s work with famous designers and artists including Calvin Klein, Adolfo, Robert Rauschenberg, Louise Nevelson, Jeanne-Claude and Christo, Roy Lichtenstein, and Sam Maloof.

Post contributed by Ruth Cody and Caroline Muglia, Graduate Interns for the Barbaralee Diamonstein-Spielvogel Collection Project.

Gallery Talk for “Memories of the Civil War”

Date: Monday, January 23
Time: 3:00 p.m.
Location: Perkins Gallery and Rare Book Room
Contact Information: Meg Brown, 919-681-2071 or meg.brown(at)duke.edu

Handmade playing cards, now on exhibit in the Perkins Gallery

If you haven’t stopped by to explore the Rubenstein’s latest exhibit, now is your chance for a guided tour! Join curators Jessica Janecki, Meghan Lyon, and Kim Sims for an exhibit gallery talk for “I Recall the Experience Sweet and Sad: Memories of the Civil War,” featuring memoirs, manuscripts, maps, and more from the Rubenstein’s collections. As we walk through the cases, the curators will highlight some of their favorite artifacts and objects, such as these handmade Confederate playing cards from the St. Clair Dearing Papers. Come to the gallery talk; stay for some refreshments in the Rare Book Room. And, free bookmarks for all who attend!

Remember, if you can’t visit the exhibit in person, be sure to visit the online exhibit — which has additional letters, songsheets, maps, and photographs that just didn’t fit into the Perkins cases.

Portraits from Charleston

The Archive of Documentary Arts continues its monthly series highlighting work in our holdings that has been digitized. This month we are spotlighting the Michael Francis Blake Photographs, 1912-1934. The collection includes 117 photographs of men, women, and children taken between 1912-1934 by Michael Francis Blake. Blake opened one of the first African-American photography studios in Charleston, S.C. and the photographs represent his work from the 1910s to his death in 1934.  The images come from a photographic album entitled “Portraits of Members,” which might have been used by clients in the studio to select the backdrop and props they wanted in their photographs. To see more of Michael Francis Blake’s photographs, visit the library’s digital collection.

Post contributed by Kirston Johnson, Moving Image Archivist, and Karen Glynn, Photography Archivist, Archive of Documentary Arts.

New Year, New Acquisitions

What better way to ring in the new year (okay, we’re a couple of weeks late) than with a roundup of exciting new acquisitions from the second half of 2011?   All of these amazing resources will be available for researchers in the Rubenstein Library in 2012 and for years to come!

  • Stereograph of John Wesley Powell with a Native American. From the Powell Expedition Photograph Album.

    Powell Expedition Photograph Album: A remarkable album of 539 photographs taken during John Wesley Powell’s Second Expedition along the Colorado River in 1871-75 by John K. Hillers, E. O. Beaman, and James Fennemore.  The photographs include landscapes of the Western states and documentary photographs of Native Americans, especially the Paiute tribe.  Part of the Archive of Documentary Arts.  Look for more information on this album in the Biblio-file column in the January-February 2012 Duke Magazine.

  • Case book of Dr. Philip Turner. From the Philip Turner Papers.

    Philip Turner Papers: Documents from the life and career of Dr. Philip Turner (1740-1815), Surgeon General for the Eastern Department of the Continental Army during the Revolutionary War.  The manuscript collection contains correspondence, medical returns, printed materials, records from northeastern field and city hospitals, and ledgers documenting Turner’s career as a surgeon in private practice, in the Continental Army, and in the United States Army. Part of the History of Medicine Collections.  More information about this important collection of early American medical history is coming soon!

  • The Door in the Wall, And Other Stories, by H. G. Wells: This 1911 limited edition of Wells’s science fiction and fantasy stories features stunning photogravure illustrations by the vorticist photographer Alvin Langdon Coburn.

 

 

 

From the Rubenstein Wire

Korean Man Reading, ca. 1917-19. From the Sidney D. Gamble Photographs.

Before we dive into another exhilarating semester, it’s high time we caught up on some recent articles about the Rubenstein Library and its collections.

In the Lens blog at the New York Times, David Gonzalez explores William Gedney’s photographs of the Myrtle Avenue El in New York.

University Archivist Valerie Gillispie was introduced to the Durham community in a Durham Herald-Sun article.

NPR featured an interview with Robert Korstad and Leslie Brown about Behind the Veil: Documenting African-American  Life in the Jim Crow South.  The interview includes selections from a few of the one hundred oral histories now available online.

Neil Offen wrote an article about the exhibit “From Campus to Cockpit: Duke University During World War II.”  (The exhibit will be on display until January 29!)

Gamers far and wide noticed the opening of the Edwin and Terry Murray Collection of Role-Playing Games with our first-ever Game Night, including the blogs Robot Viking and 88 Milhas por Hora (in Portuguese) as well as more local sources.

 

“I Recall the Experience Sweet and Sad: Memories of the Civil War”

Civil War Exhibit banner

Date: 6 January-31 March 2012
Location and Time: Perkins Library Gallery during library hours
Contact Information: Meg Brown, 919-681-2071 or meg.brown(at)duke.edu

“Memories of the Civil War” shares personal reflections and memoirs of Civil War participants from a variety of backgrounds: an escaped slave, a Union volunteer, a Southern woman, and an army field nurse. Also featured is the memoir of poet Walt Whitman, whose poem, “The Wound Dresser,” is quoted in the exhibit’s title. Despite the different backgrounds of their authors, the memoirs have remarkably common themes of triumph, tragedy, hope, and pain. Though the Civil War lives on in American memory and legend, this exhibit seeks to ground that legend in the experiences of those who lived it.

Accompanying the memoirs are supplementary manuscripts, photographs, and memorabilia from the Civil War itself, including maps, scrapbooks, and artifacts such as this amputation kit from the Rubenstein’s History of Medicine Collection. Original Whitman letters, flag remnants from the Battle of Fort Sumter, and handmade playing cards are other exhibit highlights.

amputation kit
Amputation kit used during the Civil War, now on display in the Perkins Gallery.

During your next visit to Perkins-Bostock Library, please swing by the library gallery to see the new exhibit on display now! If you can’t visit in person, be sure to check out the online exhibit, which includes additional letters and photographs that didn’t quite fit in the Perkins cases.

Also, please plan to join curators Jessica Janecki, Meghan Lyon, and Kim Sims for a gallery talk on Monday, January 23, from 3-4 p.m. The Devil’s Tale will have more information about this event posted soon!

Bob Harris on the 1942 Rose Bowl

Date: Tuesday, January 17, 2012
Time: 6:00 PM
Location: Biddle Rare Book Room
Contact Information: Amy McDonald, 919-681-7987 or amy.mcdonald(at)duke.edu

Join “Voice of the Blue Devils” Bob Harris as he shares thoughts on how Duke football has changed from the legendary 1942 Rose Bowl held in Wallace Wade Stadium to today’s modern game. He will also talk about the impact of the game on campus beyond the stadium walls.

Rosemary Davis and Jessica Wood, curators of the current “From Campus to Cockpit” exhibit, will highlight photographs and other artifacts from the 1942 Rose Bowl, including archival film from the game.

Following the presentation, game day refreshments will be served, and Harris will sign copies of his autobiography, How Sweet it Is! From the Cotton Mill to the Crow’s Nest.

“From Campus to Cockpit” is on display in the hallway cases outside the Biddle Rare Book Room through January 29th. An online exhibit—including the complete film of the game recorded by Duke’s coaching staff—is also available.

Articles on the 1942 Rose Bowl and the exhibit recently appeared in Duke Magazine and the Durham Herald-Sun.

Aerial Photograph of Duke Stadium during 1942 Rose Bowl
Aerial Photograph of Duke Stadium during 1942 Rose Bowl. From the University Archives Photograph Collection.

 

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University