Category Archives: Manuscripts

Haunted Library Screamfest

Date: Halloween, Monday, October 31, 2011
Time: 11:00 AM-1:00 PM
Location: Rare Book Room
Contact Information: Rachel Ingold, 919-684-8549 or rachel.ingold(at)duke.edu

Have you ever wandered around a library’s stacks in the dark? Or wondered what might go bump in an archival box?

Stop by the Rubenstein Library’s Rare Book Room for a special Halloween “eeeks”-ibit and open house. We’ll be dragging out some of the creepiest and most macabre items from the shadowy depths of the library’s vaults—including the thirteen unlucky items below.

This event is free and open to the living and the dead. There will be candy. Lots and lots of candy.

49 Glass Eyeballs
49 Glass Eyeballs. From the History of Medicine Collections.

1. A travel diary written by John Buck, a young American who found himself face-to-face with Bram Stoker (before he wrote Dracula)

2. Letters to Duke University’s Parapsychology Laboratory describing the 1949 poltergeist case that became the basis for The Exorcist

3. Opera Omnia Anatomico-Medico-Chirurgica by 18th century Dutch anatomist Frederik Ruysch, featuring illustrations of fetal skeletons playing instruments  among “trees” made of veins and arteries and “rocks and stones” that are actually organs, gallstones, and kidney stones

4. An entire box of glass eyeballs (49, to be exact)

5. “Jack the Ripper” and “Cthulhu by Gaslight,” two board games from the Edwin and Terry Murray Role Playing Game Collection

6. Artists’ books Mountain Dream Tarot by Bea Nettles and Femmes Fatales by Maureen Cummins. Tarot cards and pictures of medieval torture devices!

7. Brochures and advertisements for coffins and other funeral-related paraphernalia from the Advertising Ephemera Collection

8.Two copies of Henry Milner’s 1826 melodramatic adaptation of Mary Shelley’s Frankenstein, with the very first illustration of (the actor portraying) “the Monster”

9. Bela Lugosi’s signature

10. Maps and photographs of the Rigsbee Graveyard (yes, the graveyard in the Blue Zone)

11. Comics Review #1, 1965, which includes  Stephen King’s first published story, “I Was a Teenage Grave Robber,”  from the Edwin and Terry Murray Fanzine Collection

12. Halloween postcards (complete with spooky messages . . . or invitations to Halloween parties) from our Postcard Collection

13. Trixie Belden and the Mystery of the Whispering Witch by Kathryn Kenny, 1980

Which one will give you nightmares come the witching hour?

Halloween Postcard, 1908.
Halloween Postcard, 1908. From the Postcard Collection.

Happy North Carolina Archives Week!

It’s North Carolina Archives Week, a weeklong celebration of North Carolina’s cultural heritage repositories and the wonderful researchers that use them—that’s you!

Stop in, meet your friendly neighborhood special collections librarians, and request some archival collections and rare books—we think you’ll find that the Rubenstein Library has something for everyone! Or check out the North Carolina Archives Week’s website to find more ways to celebrate with cultural history repositories throughout the state.

Need some inspiration? We’ve gathered together a few previously-published blog posts written by our researchers:

We’ll see you in the reading room!

A very fill Rubenstein Library reading room!

Researching the Civil War?

This has been the most terrific days battle since commincement. The enemy made a terrible charge over our Breastworks with re-inforcementz & succeeded in charging some of our men out of them, capturing many of our Division. All our Regiment that were left from the first days fight were captured.
—from the Henry Beverige Diary, Thursday, May 12, 1864.

Beverige, a soldier and hospital steward with the 25th Virginia Regiment of the Confederate States of America, describes one of the many terrifying, bloody days of the American Civil War. His diary is one of the numerous first person accounts available in the Rubenstein Library. Other perspectives on life during the conflict are offered by fiery teenager Alice Williamson;  Confederate spy Rose O’Neal Greenhow, African Americans such as Edgar Dinsmore, and the many others who experienced the loneliness, losses, and deprivations—and occasional triumphs—of the conflict.

"Come and Join Us Brothers," 1863

To commemorate the sesquicentennial of the Civil War, Rubenstein Library staff have collaborated on a guide to Civil War resources that provides highlights of our rich collections. Special sections describe manuscript and print material related to military history, medicine, women, African Americans, literature, and music in the Rubenstein Library, as well as other library guides and relevant databases and websites.

We anticipate that this guide will be helpful for scholars, genealogists, and anyone with a personal interest in Civil War history. Please contact us if you have questions or comments about our collections.

Post contributed by Elizabeth Dunn, Research Services Librarian.

Long, Beautiful, Archivally-Preserved Hair

Just a few more days to see hair on display!

The current Perkins Gallery exhibit, “The Life of Memorials: Manifestations of Memory at the Intersection of Public and Private,” explores the tradition of commemorating events and remembering people. Memorials can be large-scale statues and museums but can also include more personal items, such as mementos and souvenirs.

One very common practice has been to retain the hair of our loved ones—and some of these locks, from the Rubenstein Library’s collections, are on display as part of this exhibit through October 16. (Or, visit the online exhibit!)

Many of our collections contain locks of hair—some are the typical parental memory of youth, like the young blonde curls of Sallie Bingham; some are the desire to connect to our literary heroes, like a nice lock of the poet William Cullen Bryant or a few strands tied together from Walt Whitman; and some are from other kinds of heroes, like envelopes full of hair from Jefferson Davis (the envelope reads: ” . . . hair from Jefferson Davis at Fort Monroe. . . “).

Jefferson Davis' Hair
Jefferson Davis' Hair

Our collection also contains “one strand” of hair, with certification, from Abraham Lincoln; a few very small hairs allegedly from John Wesley; and some hair from our own Reynolds Price. Come by and visit the hair on display through October 16 in the Perkins Gallery, or come by the Rubenstein Library’s reading room and ask to see the hair in person!

Tomorrow, in conjunction with their exhibit, Team Kenan will be presenting a a moderated panel discussion that will examine the ways people live with traumatic experiences in different political and cultural contexts.

Living with Memory: A Moderated Panel Discussion of Memorials
Date: Thursday, October 6th
Time: 5:00 PM
Location: Rare Book Room

Panelists Jehanne Gheith, Associate Professor of Russian Literature, and Stephanie Seiburth, Associate Professor of Spanish and Latin American Studies will take part in a student-moderated discussion and offer multimedia presentations on their work on collective memory in Russia and Spain.

For more information, visit http://kenan.ethics.duke.edu/team-kenan-curates-memorials-exhibit/.

Post contributed by Meg Brown, E. Rhodes and Leona B. Carpenter Foundation Exhibits Librarian and Conservator for Special Collections.

Ariel Dorfman: Feeding on Dreams

Date: Wednesday, October 5, 2011
Time: 4:00 PM
Location: Gothic Reading Room, Perkins Library
Contact Information: Aaron Welborn, 919-660-5816 or aaron.welborn@duke.edu, or Will Hansen, 919-660-5958 or william.hansen@duke.edu

Draft of Feeding on Dreams in English, annotated by Dorfman and editor Deanne Urmy. From the Ariel Dorfman Papers.

What better way to celebrate the arrival of an acclaimed author’s papers than by having him read from his newly-published work?  On Wednesday, Ariel Dorfman will read from his new memoir, Feeding on Dreams: Confessions of an Unrepentant Exile. The reading is free and open to the public.

Dorfman placed his papers with the Rubenstein Library earlier this month, and we are just starting to inventory the many fascinating materials therein.  Drafts of Feeding on Dreams in both English and Spanish are included in the papers, revealing the process by which Dorfman crafted the language and themes of his memoir out of the “earthquake of language” of bilingualism.  Indeed, the papers are a rich trove of information for students and scholars of translation, containing Dorfman’s own translations of his works as well as his notes, suggestions, and corrections for translations by others.  Here are a few additional previews of the papers’ contents:

  • An astounding collection of ephemeral and clandestine Chilean resistance literature from the era of Pinochet’s regime
  • Scripts and notes for Dorfman’s innovative plays, including Widows, Speak Truth to Power, and Purgatorio
  • Annotated books from Dorfman’s personal library, and books inscribed to him by many notables (including Nelson Mandela!)

We look forward to seeing you in the Gothic Reading Room on October 5!

Post contributed by Will Hansen, Assistant Curator of Collections.

What’s in a Name?

It’s official! Yesterday, Duke University’s Board of Trustees approved our name change. The Rare Book, Manuscript, and Special Collections Library is now the David M. Rubenstein Rare Book & Manuscript Library. We’re so excited!

Appleton Oaksmith, ca. 1865. From the Oaksmith Family Photograph Album.
Appleton Oaksmith, ca. 1865. From the Oaksmith Family Photograph Album.

Over the course of the day, we’ll be rolling out changes to our website, finding aids, library catalog records, and, of course, The Devil’s Tale. Look at our new banner! (Incidentally, The Devil’s Tale has a new URL— http://blogs.library.duke.edu/rubenstein/—so you may need to update your feed readers.)

Since we’re reflecting on names, we thought it might be fun to share some of the cool names we’ve come across in our collections. Believe us, this is nowhere near an exhaustive list:

So now we want to ask you: which name is your favorite? Or, if your favorite name isn’t represented here, share it with us in a comment. Or, even better, come visit and help us find some more cool names!

All in a Day’s Processing

As the archivist that handles accessioning, I receive collections into the RBMSCL’s Technical Services department that range in condition from “perfectly arranged upon arrival” to “dumped in a box and shaken up a bit in transit.” The Hypes Family Papers, an expansion upon a small collection of World War I photographs by Samuel Loomis Hypes, came to us in envelopes and a box that had seen better days.

To begin processing the collection, I first had to find out what it contained. Each envelope revealed another surprise—various family photographs, including a daguerreotype; tickets from the World’s Columbian Exposition in 1893; postcards the family collected from their trips around the world; family history research; and a lot of Y.M.C.A. materials (at least two generations of Hypes men worked for the organization). By the time I had spread it all out to sort it, my table was looking particularly messy.

I decided to arrange the collection by family member, which allowed me to keep it in basic chronological order while still grouping each person’s activities together within the collection. Photographs and tickets were sleeved, clippings were photocopied, and the daguerreotype was housed in its own envelope for protection. Things were looking much better on my processing table.


Next, I created a finding aid for the collection, folding in the original collection of World War I photographs. Using the collection’s family history materials, I was able to loosely reconstruct the family tree. An updated catalog record finished up the collection. Now ready to use, the Hypes Family Papers offer a fascinating glimpse into one family’s activities around the world in the late nineteenth and early twentieth centuries.

Post contributed by Meghan Lyon, Accessioning Associate.

Upheavals in Charleston

As part of our “RBMSCL Scholars” series, we’ve asked some of the wonderful researchers that the RBMSCL has hosted over the years to contribute a few words on their new books and research projects. Today, on the 125th anniversary of the Charleston Earthquake of 1886, we present an essay by Susan Millar Williams and Stephen G. Hoffius, authors of Upheaval in Charleston: Earthquake and Murder on the Eve of Jim Crow, released in June by The University of Georgia Press.

Helene Marie BurdayonA chubby-cheeked young woman in a ruffled cap gazed up at us from a sepia photograph labeled “Dawson’s French Maid.” There she was, the unlikely femme fatale who had triggered one of Charleston’s most notorious murders. We had been looking for such a photo for eight years.

The collection we were exploring, the Francis Warrington Dawson Family Papers, is a vast compendium best known for the six-volume diary kept by the precocious teenager Sarah Morgan, later Dawson’s wife, during the Civil War. But it also contains material that is crucial to understanding, among many other topics, the great Charleston earthquake of 1886, the political struggles of late nineteenth-century South Carolina, and the murder of Francis Dawson, editor of the Charleston News and Courier.

Frank Dawson is the central figure in our book, Upheaval in Charleston: Earthquake and Murder on the Eve of Jim Crow. After the earthquake, Dawson shaped public opinion around the country, rallied his fellow citizens to try to rebuild their city, received a major portion of the relief money that was sent, and spoke loudest at meetings of the Executive Relief Committee. Because Sarah was traveling in Europe with their two children when the earthquake hit, the couple wrote each other daily. Sarah’s letters did not survive, but she carefully preserved Frank’s, in which he updated her on earthquake damage and his fears about the changes that were happening in Charleston. “Had you been here,” he wrote to his nervous wife, “you would have been dead, or in a lunatic asylum.”

Cover of Upheaval in CharlestonHailed as a hero in the aftermath of the earthquake, Dawson was denounced by white supremacists and murdered on March 12, 1889, less than three years after the disaster. Sarah went to her grave convinced that her husband was the victim of a political conspiracy.

In fact, Dr. Thomas B. McDow shot Frank Dawson when the editor forbade him to talk to Hélène Burdayron, a voluptuous young Swiss woman who was taking care of the Dawson children. During McDow’s trial for murder, the world came to know Burdayron as “the French maid.” The photograph we discovered at Duke is the only known image of her.

In the 1940s, a graduate student named Frank Logan, who was writing his master’s thesis on Dawson, contacted the Dawsons’ son Warrington, who lived in Versailles. For several years he typed out lists of questions, and Warrington sent back long answers, sometimes slightly hysterical, but always packed full of telling personal detail. Did Frank Dawson prefer dogs or cats? How many cigars did he smoke a day? How did Hélène behave while living with the Dawson family after Frank’s death? Good graduate student that he was, Frank Logan passed over most of these homely tidbits and in his thesis he focused on Dawson’s role in some of the bloodiest and most terrifying episodes in southern history.

Luckily for us, Logan went on to serve on the Duke faculty, and he convinced Warrington to donate his mother and father’s papers to the RBMSCL, along with his own. Among them are scores of photographs, Sarah’s diaries and scrapbooks, family letters, and business correspondence. Together they reveal a rich tapestry of political and domestic life, including that amazing photo of the mousy-looking woman who possessed “a bust fit for a Venus” and enough sexual magnetism to provoke Charleston’s crime of the century.

Find out more about the book at www.upheavalincharleston.com!

Week of Students: Muhammad Shehryar

Here at the RBMSCL, we’re celebrating this first week of classes by taking a closer look at a few of the wonderful student (undergraduate and graduate, Duke and non-Duke) employees who help make this place run. We wouldn’t know what to do without them, and we’d have a lot less fun, too. Thanks, y’all!

Muhammad ShehryarI still remember how excited I got in September of 2010 during a seminar given by a professor and a graduate student on their work in the Economists Papers Project collections at the RBMSCL. After a couple of meetings with Bruce Caldwell, director of the Center for the History of Political Economy at Duke, I was told that I would be working at the RBMSCL on the Paul Samuelson Papers. Fast-forwarding through a couple of hectic semesters, I started working on the papers in the first week of July. Mark Wilson, an associate professor from University of West Virginia, would work alongside me during this time.

I spent the first week familiarizing myself with the collection and reading through bits and pieces of Samuelson’s extensive work. From then onwards, I focused on the Unpublished Writings Series, 26 boxes of papers, notes and fragments, and informal correspondence on an amazing variety of topics that were never published. I worked on it for almost five weeks, organizing all the papers into categories, arranging them alphabetically and chronologically, and providing an overall description of the series to aid researchers.

One of the highlights of working on this series was that I found out that Samuelson wrote extensively on topics outside of economics. His writings on thermodynamics, mathematics, and population and sex ratios were extremely impressive. While organizing the correspondence boxes, I noticed that Professor Samuelson interacted frequently with Robert Solow, Franco Modigliani, and Robert Merton—all Nobel laureates after him—and I found out that all three of them have their papers at the RBMSCL, too! After spending the last ten days or so consolidating the boxes and updating the online finding aid, I finally shipped off a massive collection of 158 boxes to the Library Service Center, where it joins the rest of amazing archival collection that is the Economists Papers Project.

Post contributed by Muhammad Shehryar, M.A. student in Duke’s Department of Economics and graduate student employee with the RBMSCL’s Technical Services Department.

Julian Carr and the Magical Occoneechee Farm

Date: Sunday, August 28, 2011
Time: 3:00 PM
Location: Big Barn Convention Center at The Shops at Daniel Boone (map and directions)
Contact Information: Historical Foundation of Hillsborough and Orange County, 919-732-2201 or info@orangeNChistory.org

Julian Shakespeare Carr
Julian Shakespeare Carr. From the Picture File, M671.

At his summer home in Hillsborough, Trinity College trustee (and donor of much of the land that is now East Campus) Julian Shakespeare Carr built a model farm that became nationally-known for its innovative farming practices.

This latest event in the “Stores and Stories” series, which is sponsored by the Historical Foundation of Hillsborough and Orange County, will focus on Carr’s Occoneechee Farm.

The dramatic presentation—which will feature Tom Stevens, Hillsborough’s mayor, as Carr—is based on Carr’s farm journal, part of the RBMSCL’s Julian Shakespeare Carr Papers. Additional stories and photos from the farm in its heyday will also be shared.