Category Archives: From Our Collections

Mad Men Monday, Episode 10

Mad Men Mondays logo

The riots and politics of the 1968 Democratic Convention in Chicago continually weave in and out of Episode 10, through media and discussions. The partners begin discussing changing the agency’s name. Don, Roger, and Harry travel to LA for client presentations, including Carnation. Harry drives Don and Roger to a party in the Hollywood Hills. Starlets and stoned hippies roam poolside. Don is invited to share a hit from a hookah. His hallucination ends with him seeing himself face down in the swimming pool. He comes to on the deck, wet and coughing, with a soaked and out-of-breath Roger telling everyone he’s fine.

At the office, Ginsberg confronts Jim, calling him a fascist. Jim tells Ted they should fire all SCDP staff, beginning with Ginsberg. Jim asks Bob Benson to take Ginsberg to the Manischewitz meeting. Joan’s blind date ends up being with Avon’s new Head of Marketing who is looking for a new agency. She praises the company and picks up the check. Wary of Pete, Joan sets up a lunch meeting with just herself, Avon, and an unknowing Peggy. Ted’s tells Jim Chevy has signed off on their work. Bob interrupts with news Manischewitz has put them in review. Jim rewards Bob for “handling this like a man” with a spot on the Chevy team. Avon sends samples to the agency. Pete blows up, reprimands Joan, and calls Ted in to deliver the final blow. Peggy listens in, and sends in the secretary with a fake note that Avon has called for Joan. Ted gives Joan the go-ahead, over-riding a seething Pete. All partners but Joan meet in Don’s office. Ted shares news of Chevy and Avon, and Cooper reveals Ted and Jim’s suggestion for an agency name: Sterling Cooper & Partners.

Episode 10 referred to Carnation Instant Breakfast, Life Cereal, computers in business, renaming an agency, men wearing ascots, and Schlitz beer, among others. Here is a selection of ads that illustrate some of the products and cultural references mentioned in Sunday night’s Mad Men. A gallery of our highlighted images may also be found on Pinterest and Flickr.

campaign buttons - Blog

Carnation - Blog

RNC - Pat Nixon - Mr Peanut - Blog

Life - Blog

Teletype - Blog

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Kelly and Weinman - Blog

mustang - Blog

McGregor - Blog

Schlitz - Blog

A Birthday Present for Walt Whitman

ExtraIllFrontBoardresizedToday, 31 May 2013, is the 194th birthday of Walt Whitman.  The Trent Collection of Whitmaniana in the Rubenstein Library is one of the largest collections of Whitman’s manuscripts and printed works in the world.  Just in time to celebrate the Good Gray Poet’s birthday, a beautifully “wrapped” new addition to the collection is available for research.

From an otherwise unremarkable edition of Whitman’s Prose Works, the copy newly arrived at the Library was lavishly extra-illustrated and expanded into two leather-bound volumes by an early owner, with the addition of 26 autograph letters and manuscripts and one hundred portraits and views.  Extra-illustration, also known as Grangerization, involves the addition by a collector of separately produced items such as portraits and manuscripts to a printed text.  Controversial today because it involves dismantling and transforming books, the practice was quite popular in the nineteenth century; this example is from the early twentieth century, perhaps the 1920s.

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Added title page and frontispiece etching of Whitman in Prose Works.

Many of the added items are of interest, including a manuscript slave deed and letters by Whitman friends and notables such as John Burroughs, John Swinton, William Cullen Bryant, Henry Wadsworth Longfellow, and General William T. Sherman.  Most importantly for Whitman scholars, the first volume contains a page of Whitman’s manuscript notes on the Quaker preacher Elias Hicks.   The manuscript had fallen into three pieces due to being folded into the binding; thanks to the work of Conservator for Special Collections Erin Hammeke, it has been repaired and remounted.

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While we cannot say with certainty who created these extra-illustrated volumes, the second volume bears the bookplate of Mary Young Moore, a Papal countess for whom a high school on Staten Island, New York is named.  Given the connections of both Whitman and Hicks to New York City, this manuscript fragment may have especially appealed to Countess Moore.

Post contributed by Will Hansen, Assistant Curator of Collections, Rubenstein Library.

Mad Men Monday Tuesday, Episode 9

Mad Men Mondays logo

A number of characters faced choices between two people, while others faced rejection or criticism.  Peggy is encouraged to choose between Ted and Don’s ideas for Fleischmann’s margarine. Megan’s performance as twins is criticized. Arlene tries to console Megan, but her sexual advances are spurned. Betty’s slimmed down figure gets a lot of attention from a man at a dinner party, which excites Henry. In frustration, Pete consults with headhunter Duck Phillips about alternative positions. Ted tells Peggy that he has feelings for her, but also that he regrets kissing her. Betty and Don visit Bobby at summer camp.  They reconnect in a happy family moment over lunch and later spend the night together. Don is nostalgic and sentimental about Betty, while she is frank about his shortcomings.  The next morning she happily eats breakfast with Henry, while Don eats alone as if nothing ever happened. Joan and Bob go to the beach with her son, Kevin.  Roger tries to reconnect with Joan with a gift for Kevin, but she rebuffs him.  Roger is also reprimanded by his daughter after taking his grandson to see Planet of the Apes. Peggy is fearful of the crime in her new neighborhood. After a rock is thrown through their apartment window, she arms herself with a knife and accidentally stabs Abe in the abdomen.  In the ambulance Abe breaks up with Peggy, calling her the enemy because of her advertising career. The next day Peggy tells Ted that she and Abe broke up, but Ted seems unmoved by the news and wishes her well in finding someone new.

Episode nine’s plot referred to Esso gasoline, menthol cigarettes, knives, 1965 Cadillacs, and chef salads, among other things.  Here is a selection of ads that illustrate some of the products and cultural references mentioned in Sunday night’s Mad Men.  A gallery of our highlighted images may also be found on Pinterest and Flickr.

Cadilliac - BlogResized

Esso - BlogResized

air conditioner - Blog

winston menthol - Blog

Canadian club - Blog

Cutco knives - BlogResized

Mad Men Monday, Episode 8

Mad Men Mondays logo

The Chevy executives in Detroit aren’t happy with any ad campaigns the merged agency is submitting. Don asks them to work all weekend to come up with new ideas for Chevy. After talking with Sylvia, Don begins having flashbacks of being a teenager in the brothel with his stepmother. Jim brings in his doctor to “fix everyone up” and gives some staff an energy serum shot, guaranteed to give 1-3 days of uninterrupted creative focus and energy. The energized creatives are unable to focus, leaving Peggy and Ginsberg frustrated with their frenetic, but useless, work. Don asks Peggy to find a soup ad in the archives to inspire them for the campaign. Don’s thoughts are more focused on a pitch to win Sylvia back, rather than to persuade Chevy.

Sally babysits her brothers at Don’s apartment while he works and Megan is at a dinner. Awakened by sounds from the dining room, Sally walks out to find an African-American woman rummaging through the cupboards. She tells Sally she raised her dad, but she’s actually a thief. Finally returning home, Don finds the kids, Megan, Henry, Betty (back to a blonde), and the police in his apartment. He promptly faints. The episode ends with Don reassuring Sally the robbery was not her fault, and Don telling Ted to call him in 1970 when Chevy is ready to make an ad.

Episode eight’s plot referred to Admiral radios, Chevy Impala, tuna salad, soup, and gold watches, among other things. Enjoy our selection of ads and images that illustrate some of the products and cultural references mentioned in last night’s Mad Men. A gallery of our highlighted images may also be found on Pinterest and Flickr.

admiral radio - blog

Impala - Blog

starkist - Blog

Campbells 1958 - blog

watch - blog

pajamas - Blog

Helene Curtis - blog

typewriter - Blog

Alice in Wonderland 1960 - Blog

Star Trek Lives Long and Prospers at the Rubenstein

With the opening of Star Trek Into Darkness this week, it seemed like a good time to check out what our collections have on Star Trek.  As it turns out, Star Trek’s long history before becoming a star-powered summer blockbuster is well represented in our collections.

I found a number of Star Trek comic books in the Edwin and Terry Murray Comic Book Collection which are a lot of fun:

Star Trek Comic May 1973
“The Hijacked Planet” Star Trek #18 (May 1973), Gold Key Comics
"All Those Years Ago" Star Trek Annual v. 1 #1 (1985), DC Comics
“All Those Years Ago” Star Trek Annual v. 1 #1 (1985), DC Comics

 

 

 

 

 

 

 

 

 

 

 

 

 

But my favorite piece comes from the Edwin and Terry Murray Fanzine Collection. Fanzines are nonprofessional publications produced by fans of particular pop culture genres or works.  Most of the fanzines in the Murray collection are from comic book fans, but there are some from the genres of science fiction and fantasy, including issue 3 of Spockanalia. Spockanalia was the first fanzine devoted exclusively to Star Trek. The first issue was published in 1967 during the first season of the original television series. Spocknalia 3 was published in 1968 and features essays on Star Trek, fiction, drawings, and even a letter from Star Trek creator Gene Roddenberry. Here are some highlights:

 

Cover of Spockanalia 3
Cover of Spockanalia 3, drawn by Allan Asherman

 

Letter from Gene Roddenberry
Letter from Gene Roddenberry

 

Vulcan Graffiti, by Sherna Comerford
Vulcan Graffiti, by Sherna Burley
Enterprise Graffiti, by Sherna Comerford
Enterprise Graffiti, by Sherna Burley

 

 

 

 

 

 

 

 

 

 

 

 

 

Young Vulcan's Handbook of Emotional Control
Young Vulcan’s Handbook of Emotional Control, by Deborah Langsam

Post contributed by Kate Collins, Research Services Librarian

Mad Men Monday, Episode 7

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The CGC staff move into the SCDP office space and everyone scrambles to figure out their place at the new agency.  A number of staff members get laid off. Don meets Sylvia at a hotel for a daytime tryst.  Ted leads a creative meeting discussing Fleischmann’s Margarine.  Later he and Don continue brainstorming over drinks in Ted’s office and Ted drinks too much.  Pete’s difficult mother shows up at his apartment and he becomes responsible for her care.  Because of her issues Pete misses an important meeting with Mohawk Airlines.  Ted and Don fly upstate to the Mohawk meeting in Ted’s airplane through a storm.  Sylvia waits for Don at the hotel at his request and a red dress is delivered to her room.  Joan is in pain and Bob Benson takes her discreetly to the emergency room, where he talks the nurse into admitting her.  Later Joan returns the favor by advocating for his job during a meeting about staffing cuts. Sylvia breaks off the affair with Don and he seems devastated.  The episode ends with news of Robert Kennedy’s assassination, which Megan watches in tears.

Episode seven’s plot referred to St. Joseph’s Children’s Aspirin, Fleischmann’s Margarine, Topaz Pantyhose, Mohawk Airlines, gin and tonics, among other things.  Enjoy our selection of ads and images that illustrate some of the products and cultural references mentioned in last night’s Mad Men.  A gallery of our highlighted images may also be found on Pinterest and Flickr.

 

St Joseph Aspirin for Children

Topaz hosery - Blog

Fleischmann's Margarine

 

Fly Mohawk

 

Gilbey's Gin
Cessna

 

Robert F Kennedy Newsweek Cover

 

 

Radio in the Rwandan Genocide

The Rwandan audiotapes of the International Monitor Institute (IMI) records are comprised almost entirely of the transcripts of radio broadcasts translated from Kinyarwanda into French and English. These are the broadcasts which aired in 1994 during the Rwandan genocide, which took place from April through early July of that year and in which 800,000 Tutsis and moderate Hutus were massacred. The genocide was triggered by the assassination of Hutu President Habyarimana on April 6, 1994. An IMI piece on radio as a tool of genocide (available in the organizational records) summarizes these events: “His plane was shot down on his return from Arusha, Tanzania, where he met with RPF leaders and signed an agreement further limiting his regime’s hold on power (known as the August 1993 Arusha Accords).”

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President Juvénal Habyarimana

During colonization from the late 19th to the mid-20th century, the German and Belgian colonial elite manufactured a native elite in the Tutsis, a process of colonization that Franz Fanon describes in The Wretched of the Earth. Hutus thus experienced discrimination in education and various sectors of the economy. In 1959, Hutus took control of Rwanda following the independence movement, forcing many Tutsis to seek refuge in neighboring countries. In 1990, the Rwandan Patriotic Front (RPF) comprised of exiled Tutsis, invaded Rwanda, initiating a civil war. Habyarimana’s assassination resulted in an escalation of Hutu anxiety that the Tutsis would seize power of the government and that discrimination against Hutus would be reestablished.

Radio became a powerful weapon used to incite and direct the Rwandan genocide. The majority of radio broadcasts in the Rwandan audiotapes collection are from the privately-owned Radio Télévision Libre des Milles Collines (RTLM). What I found especially interesting about the content of these broadcasts (the transcripts of which can be found in the IMI organizational records and the audiotapes of which can be found in the Rwandan Videotapes and Audiotapes inventory) was the way in which its efforts to direct the extermination of the Tutsi population was paralleled by its efforts to claim authority over the telling of history. The radio broadcasts reveal a struggle over who gets to tell history and, therefore, a struggle over a monopoly on truth. In other words, the RTLM broadcasts exhibit a phenomenon which seems to be more universally true, which is the political necessity of storytelling.

There are a few particularly conspicuous aspects of the history-telling of the RTLM broadcasts, one being the discourse of revelation or enlightenment – the idea that if we only peel back the layers, we can finally see the truth. And this encounter with the truth is the basis for political action, or, in this case, the basis on which genocide becomes justified. “Slavery,” for example, is a term that is repeated throughout these broadcasts. Several journalists recall the state of Hutu slavery during colonization in order to characterize the discrimination Hutus experienced. Drawing on such a vocabulary, the radio broadcasts attempt to illuminate the Rwandan genocide as a slave rebellion. Freedom from slavery, according to this narrative, lies in the ability to discover the true history and nature of that discrimination, in opposition to the stories of the colonizers and the native elite. For the same reason, I’m less interested in the truth or accuracy of this, or any, construction of history than in the need and tendency to construct history more generally.

In one broadcast which aired on April 12, 1994 (6 days after Habyarimana’s assassination),[ii] Georges Ruggiu gives his audience a history lesson. He evokes Tutsi discrimination against Hutus in the colonial educational system and the ways in which the Germans and Belgians perpetuated this discrimination. Ruggiu situates the RPF’s efforts to seize power in Rwanda and oppress Hutus within that context. “Now we are going to continue with history,” he begins one segment. He goes on to describe how Hutus, beginning with the first school for Tutsis in 1917, were denied education and how, as a result of this denial of access, the Hutu became slaves to the Tutsi “who, according to the colonial legend, were born to rule.” I suspect that Ruggiu does not understand Hutu slavery as merely metaphorical. The discourse of slavery in these broadcasts seems to represent Hutu slavery as naked reality; that is, these broadcasts understand historical Hutu slavery to be literal. Indeed, in the segment that follows, Ruggiu draws on historical documents that testify to the fact that historically “Tutsis killed Hutu kings and enslaved Hutu people.”

Listen to an excerpt of this broadcast here.

In a second broadcast from April 17, 1994 (11 days after the assassination), journalist Agenesta Mukarutama leads a roundtable discussion about how the RPF seeks to return Rwanda to its pre-revolutionary time in which the Tutsi commanded and the Hutu obeyed. “But,” the broadcast tells us, “Rwandans have learned their history and are ‘saying no’ to a repetition of history.” Genocide is perceived as the only way to break out of an historical cycle of discrimination and oppression. Murego argues that “what it [the RPF] did not understand is a lesson from history. In fact, the political skeleton before ‘59 is clear: Some people command and others obeyed, and the RPF inserted its objectives in that scope . . . Since the conditions have changed, there is now no way to impose oneself as it was before . . . what happened is that it is a genuine restoration of the former reality where some people commanded, you understand who, and others have learnt to say ‘no.’ That is where the president of the PL [le Parti libéral] has made an important statement: ‘those who are saying no today, they are saying no considering their history, the history of their country . . .’” (emphasis is mine).

IMI records, box PH1, Tutsi Refugee Camp, Nov 93(for blog)

By suggesting that “there is now no way,” that is, that it would be either impracticable or unbearable for Rwanda to return to a pre-revolutionary state governed by colonial structures, Murego essentially makes a philosophical statement about history – not just what the content of that history is, but more specifically, the temporality in which revolutionary history operates. The Rwandan genocide here is not just a “saying no” to Tutsi rule; it is a “saying no” to a particular conception of the temporality of history that stands in opposition to the revolutionary conception of history. Murego’s argument, here, seems to be that the RPF does not understand how historical time actually works. Ngirumpatse, a participant of the roundtable, follows this up:

“First thing, at the risk of disappointing many Rwandans, especially the educated people, I have always considered the Arusha Agreements as an exception in the people’s history. No any people make a revolution just once. France has made a Revolution, it had two or three restorations, it took 100 years for the Republic to impose itself. When I say Republic, I mean the power of people.  . . . So I consider the Arusha Agreements as an exception in the people’s history.” Ngirumpatse makes this claim repeatedly:  “I consider the Arusha agreements as an exception in history.”

Ngirumpatse refers to the Arusha Accords as exceptional insofar as they are exceptionally generous; this generosity, it seems, arises from the mistaken belief among Rwandans that their revolution was finished once and for all. But again, what is more interesting to me is the temporality of the historical discourse within the broadcasts themselves – the repetition of the insistence that history cannot and will not repeat itself.

Post contributed by Clare Callahan, graduate student assistant in Rubenstein Technical Services and the Human Rights Archive.

The Accidental Archivist

Issues involved with the handling and preservation of ephemera—campaign buttons, stickers, scrapbooks, photo albums, brochures and pamphlets and such—have been an ongoing concern among curators and archivists, as many of our procedures and best practices concern materials commonly recognized as “important artifacts” such as art, works of prominent photographers, rare manuscripts and books. Many modern manuscript collections pose an additional challenge when they include files of clippings, the two-sided nature of which inadvertently creates an “accidental archive” of items of potential research interest. Many of the Hartman Center’s advertising collections suffer from this wealth of excess. Magazine and newspaper pages containing ads for one product frequently have an equally (if not more) useful ad on the reverse, or a provocative news article. In the example here, taken from the Doris Bryn Papers, the reverse side of a department store ad contains an article “Are Women Persons? Educators Disagree” that appeared in the Oct. 15, 1950 edition of the Sunday Herald.

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The backside of a 1950 advertisement for a department store wonders, “Are Women Persons?”

As indicative of the kinds of debates taking place during the postwar re-integration of women into domestic life and the slow march toward women’s rights and gender equality, the article poses potential research utility; at the least, great fodder for an undergraduate paper. The big challenge is: how to remember where to find these little gems the second time around?

Post contributed by Rick Collier, Technical Services Archivist for the John W. Hartman Center.

Mad Men Monday, Episode 6

Mad Men Mondays logo

A series of big changes consumed the May 5th episode of Mad Men last night, and not everyone is pleased with the results.

Pete, Joan and Bert consult with a banker to take SCDP public. Roger’s scheming gets SCDP a chance to pitch a campaign for a new concept car by Chevrolet. Don resigns the Jaguar account during an angry exchange over dinner with Herb Rennet. Pete and Joan are angry with Don’s actions. Pete and his father-in-law awkwardly run into each other at a brothel, which results in the loss of the Vicks account for SCDP. Megan takes her mother’s advice and gets Don’s attention with a short dress. Peggy is unhappy with the apartment she bought and Abe tries to reassure her. Ted kisses Peggy when she says that she admires him because he is strong. Peggy fantasizes about Ted while she talks to Abe. Don and Ted run into each other at the hotel bar the night before the Chevy pitch and agree to join forces. After winning the account, SCDP and CGC merge. Peggy is surprised and disappointed with the merger news.

Episode six’s plot referred to flight attendants, Mustangs, Shalimar perfume, paint fumes, Vicks cough drops, Jim Beam, and pinot noir, among other things. Here is a selection of ads and images that illustrate some of the products and cultural references mentioned in last night’s Mad Men. A gallery of our highlighted images may also be found on Pinterest and Flickr.

Advertisement for Dutch Boy Paint

Advertisement for Jim Beam Bourbon

Advertisement for J. Walter Thompson's IPO

Advertisement for Ford Mustang

Billboard for "Stewardesses"

Advertisement for Inglenook Pinot Noir

Advertisement for Shalimar

Advertisement for Hallmark Wrapping Paper

Advertisement for Kayser Stockings

And here’s something to listen to while you’re looking at the ads (especially the last one)!

Southern Poverty Law Center Donates Extremist Literature Collection to Rubenstein Library

SPLCblogThe Southern Poverty Law Center’s Intelligence Project has donated its extensive collection of materials documenting extremist and hate groups in the United States to the David M. Rubenstein Rare Book & Manuscript Library at Duke University.

The collection includes nearly 90 boxes of periodicals, pamphlets, flyers and other documents intended for distribution to group members and recruits over the past 30 years.

At the Rubenstein Library, the collection will allow researchers to examine the histories of hate groups and efforts to monitor and infiltrate them adding to the Library’s Human Rights Archive, its rich collections for social movements in the United States, and its large existing collection of materials documenting the Ku Klux Klan from the 1860s to the present day.

The SPLC collection includes materials on many types of extremist groups such as neo-Nazis, the Ku Klux Klan, white nationalists, neo-Confederates, racist skinheads, black separatists, border vigilantes and others.

“We are very excited that Duke University’s David M. Rubenstein Rare Book & Manuscript Library has decided to house the extremist materials we’ve been collecting for decades,” said Heidi Beirich, director of the SPLC’s Intelligence Project. “We are especially pleased that these relatively rare materials will finally be made available to scholars who research America’s radical right. We look forward to learning from their scholarship.”

The collection will be made available to researchers after being prepared for use by the Rubenstein Library staff.

The SPLC Intelligence Project has been called “one of the most respected anti-terror organizations in the world” by National Review. It monitors hate groups and other extremists throughout the United States and exposes their activities to law enforcement agencies, the media and the public. The project posts its investigative findings online, on the Hatewatch blog and in the Intelligence Report, an award-winning quarterly journal. The Project has crippled some of the country’s most notorious hate groups by suing them for murders and other violent acts committed by their members.

This post previously appeared on Duke Today.