Category Archives: Bingham Center

New Acquisitions: A Gender and Sexuality Side Show with Beat Connections

The Sallie Bingham Center for Women’s History and Culture recently acquired a rare ephemeral promotional pamphlet, possibly published in Chicago in the 1930’s, European Enigma, International Sensation: Elsie-John, Half Man, Half Woman: Brother and Sister in One Body: Widely Imitated, Never Successfully Duplicated.  The pamphlet promotes a German-born “hermaphrodite” performer, also known as a “half-and-half” in the parlance of the side show or “freak” show trade because of the custom of presenting one of half of the body with attributes of a typical male and the other half female.

elsie john back web

Beginning as a popular pastime in seventeenth-century Europe, freak shows featured performances intended to shock viewers such as exhibitions of biological rarities or heavily tattooed or pierced people, as well as extreme activities like fire-eating and sword-swallowing. Performers could be physically unusual humans such as those uncommonly large or small, those with both male and female secondary sexual characteristics, and people with other extraordinary diseases and conditions. As attitudes changed about physical differences and previously mysterious anomalies were scientifically explained, laws were passed restricting the freak show resulting in a decline in this form of entertainment.

The pamphlet includes six halftone views of Elsie-John as a man and as a woman as well as an autobiographical sketch. Elsie John, a performer in Chicago in the 1930s and 1940s, was connected to the Beat Generation of writers. The poet Herbert Huncke (1915-1996), who appears as a thinly-veiled character in both William S. Burroughs’ 1953 novel Junkie and Jack Kerouac’s On the Road, and was by some accounts the source of the term “Beat,” wrote that he had been taken at an early age under the wing of Elsie John, who appears to have introduced Huncke both to heroin and to the gay underground of 1930s Chicago. Huncke’s short memoir “Elsie John” is an unsentimental but affectionate sketch of the performer.

Post contributed by Laura Micham, Merle Hoffman Director, Sallie Bingham Center for Women’s History and Culture and Curator, Gender and Sexuality History Collections.

New Acquisitions: Scenes from the Life of St. Catherine

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library!  Today’s post features a remarkable addition to the Sallie Bingham Center for Women’s History and Culture. Check out additional posts in the series here.

The Library has acquired a rare incunable (item printed from moveable type in Europe before 1501), the Legenda de Vita S. Catharinae by Frater Petrus, published in Strasbourg on April 6, 1500.  It tells the story of St. Catherine of Binding of Legenda Vita de s. Catharinae, Strasbourg, 1500Alexandria, one of the most popular and important saints in late medieval Europe, and an enduring icon of women’s learning.  She was said to have won a debate with the Roman emperor’s elite philosophers over the value of Christianity, leading to her imprisonment and torture on the breaking wheel, now often called the Catherine wheel.

This edition includes seventeen beautiful woodcuts attributed to the artist known as the “Master of Terence,” who worked frequently for the book’s publisher, Johann Grüninger. The copy now in the Rubenstein Library, just the third known copy in an American institution, also features a contemporary binding with elaborate tooling and a brass clasp, and extensive rubrication both in the text and bordering the woodcuts.  It will reward a variety of research approaches, from literary scholars interested in book history and the popular medieval genre of saints’ lives to those working in women’s history, religious history, and art history.

New Acquisitions: Artists’ Books by Women

In June and July we’ll celebrate the beginning of a new fiscal year by highlighting new acquisitions from the past year.  All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features additions to the collection of artists’ books by women in the Library’s Sallie Bingham Center for Women’s History and Culture.  Check out additional posts in the series here.

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Image courtesy of Nava Atlas.

Dear Literary Ladies by Nava Atlas. New Paltz, New York: Amberwood Press, Inc., 2010. Edition of 15. Gift of the author.

According to Atlas, “this artist’s book fancifully poses questions on writing and the writing life, with the replies derived from classic authors’ letters, journals, and autobiographies. Reaching back to answer contemporary questions with voices from literary history reveals the timeless concerns and challenges of writers, with a particular emphasis on these issues from a female perspective.” The book was also produced in a trade edition.

Skirt Book: Made in the USA by Julie Mader-Meersman. 2010.

This unique artists’ book is made in the form of a skirt with custom fabric printed with scans of country of origin tags from clothing. Booklets made from fabric remnants and original textile tags are sewn on around the garment.

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32 Big Pictures: A bound series of hand cut collages about Barbie by Dana F. Smith. San Francisco, California, 2011.

The images in this book were originally created from magazine collages overlayed on the pages of an over-sized Barbie coloring book. According to the artist, “it was created as a painstaking labor of love and reveals untold ways that Barbie is interlaced with modern American culture.”

barbiemakeover
“Barbie’s Makeover.” Image courtesy of Dana F. Smith.

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian, Sallie Bingham Center for Women’s History and Culture.  

 

 

 

 

Congratulations to this year’s travel grant recipients!

The Rubenstein Library’s three research center annually award travel grants to undergraduate and graduate students, faculty, and independent scholars through a competitive application process. Congratulations to this year’s recipients, we look forward to working with all of you!

 

John Hope Franklin Research Center for African and African American History and Culture Travel Grant Recipients

Dr. Richard Bell, Associate Professor, Department of History, University of Maryland, College Park; Project: “Slavery’s Market: A Microhistory.”

Dr. Frederick Carroll, Instructor, Department of History, Norfolk State University; Project: “Race News: How Black Reporters and Readers Shaped the Fight for Racial Injustice, 1910-1978.”

Ms. Mandy Jolly, Undergraduate, Department of History, Lenoir-Ryhne University; Project: “Journalistic Racism from Early Travel/Exploration Logs from the 19th and 20th Century.”

Dr. Phillip Misevich, Assistant Professor of History, St. John’s University; Project: “On the Frontier of Freedom: Abolition and the Growth of Atlantic Commerce in Southern Sierra Leone, c1790s to 1880s.”

Ms. Marie Stango, PhD Candidate, Department of History, University of Michigan; Project: “Antislavery and Colonization: African American Women in Nineteenth Century West Africa.”

Dr. Shirley Thompson, Associate Professor of African and African Diaspora Studies, University of Texas at Austin; Project: “No More Auction Block for Me: African Americans and the Problem of Property.”

Dr. Charlotte Walker-Said, Theodore W. Lentz Fellow in Peace Studies and Human Rights, Webster University; Project: “Traditional Marriage for the Modern Nation: Family Formation and the Politics of Religion in Colonial and Postcolonial Africa.”

Mr. James Wall, PhD Candidate, Department of History, University of Georgia; Project: “Redefining Success: The Strule for Freedom Rights in Southwest Georgia, 1945-1985”

 

John W. Hartman Center for Sales, Advertising & Marketing History Fellowship and Travel Grant Recipients

Zoe Sherman, a Hartman Center grantee, uses the Outdoor Advertising Association of America Records
Zoe Sherman uses the Outdoor Advertising Association of America Records

FOARE Fellowships for Outdoor Advertising Research:

Elizabeth Semler: History of Science, Technology and Medicine, University of Minnesota, “’Got Milk?’: Dairy Advertising and Scientific Authority in the late 20th Century”

Zoe Sherman: Economics, University of Massachusetts – Amherst, “The Commodification of Audience Attention in the US, 1865-1920”

 

John Furr Fellowships for JWT Research:

Ai Hisano: History, University of Delaware, “A History of Food Color in the United States, 1880s-1970s”

Cristina Sánchez-Blanco: Media Management, University of Navarra (Spain), “Advertising Account Planning in JWT”

Hartman Center Travel Grants:

Francesca Russello Ammon: American Academy of Arts & Sciences, “Culture of Clearance: Waging War on the Landscape in Postwar America”

Leslie Anderson: University of California – Merced, “The Politics of Domesticity” (Senior Thesis)

Mary Bridges: International Studies, Yale University, “Global Infrastructure of US Business Activities in the Interwar and World War II Periods”

Jessica Burch: History Department, Vanderbilt University, “Soap and Hope: culture, Capitalism, and Direct Sales in World War II America”

Dr. Andrew Case: Nelson Institute for Environmental Studies, University of Wisconsin – Madison, “Dear Friend: Direct Mail Marketing and the Transformation of Buying and Selling in Postwar America”

Kristi Whitfield Johnson: Baton Rouge, LA, “Canning Foods and Selling Modernity: The Canned Food Industry and Consumer Culture, 1898-1945”

Dr. Richard K. Popp: Journalism, Advertising and Media Studies, University of Wisconsin – Milwaukee, “Direct Marketing, Communication Networks, and the Remaking of consumer Culture, 1960-2000”

 

Sallie Bingham Center for Women’s History and Culture Travel Grant Recipients

Valerie Behrer, English, University of Minnesota, for dissertation research on the connections between girls’ subjectivities, autobiographical practices, and the development of American radical feminism from the late 1960s to the 1970s.

Erin Leigh Durban-Albrecht, Gender & Women’s Studies, University of Arizona, for a set of related projects—including a film and her dissertation—that use Kathy Acker’s Kathy Goes to Haiti to explore racialized gender and sexuality, cultural production, and U.S.‐Haiti relations in the 20th and early 21st century.

Dr. Lauren Gutterman, Center for Gender and Sexuality Law, Columbia Law School, for a book that will examine the personal experiences and public representation of American wives who desired women, 1945 to 1979.

Monica Miller, English and Women’s & Gender Studies, Louisiana State University, for dissertation research on the use of ugly women as characters that defy the stereotype of the beautiful belle in the work of 20th century Southern women writers.

Michelle Pronovost, Fashion Institute of Technology, for research on the confrontational fashion of riot grrrls in zines from the 1990s.

Dr. Andrea Walton, Department of Educational Leadership and Policy Studies, Indiana University Bloomington, for research supporting an article and book chapter on philanthropist Eleanor Thomas Elliott.

Kelly Weber, History, Rice University, for dissertation research related to the politics of daughterhood in the New South, 1880 to 1920.

Stacy J. Williams, Sociology, University of California, San Diego, for dissertation research on how social movements have affected feminist discourse about cooking, 1874 to 2013.

Dr. Mary Ziegler, St. Louis University, for a book about how abortion providers helped define lay understandings of the constitutional, statutory, and common law concerning abortion in the United States.

 

Eleanore and Harold Jantz Fellowship

The first recipient of the Eleanore and Harold Jantz Fellowship is Chunjie Zhang, Assistant Professor of German at the University of California, Davis.  Dr. Zhang is a graduate of Duke (PhD 2010). Her project is “Representations of non-European cultures in the German discourse in the eighteenth century.”

Workin’ 9 to 5 on Administrative Professionals Day

Administrative Professionals Day began as part of what was originally called “National Secretaries Week,” founded in 1952 by an organization now known as the International Association of Administrative Professionals, both to honor the work of secretaries and administrative professionals and attract people to the career.

When you think of a secretary in the 1950s, an image like this one, from the back of the Smith-Corona’s Complete Secretary’s Handbook (1951) probably comes to mind:

Image from Smith-Corona’s Complete Secretary’s Handbook (1951)

A recent report from the Bureau of Labor Statistics revealed that sixty years later, “secretary” is still the most common job for women. In fact, in 2011, 96% of all secretaries and administrative assistants were women.

The Sallie Bingham Center for Women’s History and Culture has many collections that document organizational efforts to improve job opportunities for women, whether that means advocating for access to jobs higher-paying male-dominated fields or fighting against sexual harassment in the workplace, including the records of the Southeast Women’s Employment Coalition, founded in 1979 in order to expand the limited employment opportunities for women in the rural South, and the papers of labor activist Theresa El-Amin.

Cover of Not Servants, Not Machines by Jean TeppermanOur collection also contains this gem: Not Servants, Not Machines: Office Workers Speak Out by Jean Tepperman (1976). In the acknowledgements, Tepperman explains how women affiliated with the Boston chapter of “9 to 5,” an organization of women office workers, supported the writing of this book which includes interviews with women across the country. Like the “9 to 5” organization, this book aims to share these women’s experiences of discrimination in the workplace due sexism, and provide information about how to organize and improve women’s working conditions, treatment, and most importantly, their pay.

The Rubenstein Library salutes Administrative Professionals, especially our own Nelda Webb, and honors their contributions, as well as those who have worked to improve conditions and compensation for all women in the workplace.

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian for the Bingham Center.

Robin Morgan & Marie Anderson: The Women’s Pages & The Women’s Liberation Movement

Date: Thursday, April 18, 2013
Time: 3:00 p.m.
Location: Perkins Library, Room 318 (Rubenstein Library Classroom)
Contact Information: Kelly Wooten, kelly.wooten(at)duke.edu

robin morgan
Police officer and Robin Morgan, Miss America protest, Atlantic City, 1968

Please join the staff of Sallie Bingham Center of Women’s History and Culture for a talk by Kimberly Wilmot Voss addressing the intersection of the women’s pages of newspapers and women’s liberation leaders in the 1960s and 70s, and the differences in coverage by those women journalists compared to the mainstream press.

Voss is an Assistant Professor and Area Coordinator of Journalism, University of Central Florida, and is a 2012 recipient of a Mary Lily Research Grant from the Sallie Bingham Center.

Light refreshments will be provided.

Mandy Carter, Peace Walker

Since starting my internship with the Sallie Bingham Center last August, I’ve spent time each week processing the papers of Mandy Carter, a self-described “southern out black lesbian social justice activist.”

This year Carter celebrates 45 years of social, racial, and lesbigaytrans justice organizing, and it’s almost impossible to summarize all that she has done—beginning with peace activism in the late 1960s and continuing today in her role as National Coordinator for the Bayard Rustin Commemoration Project of the National Black Justice Coalition. So instead, here’s one small peek.

Though based in Durham for much of her career, Carter has traveled up, down, and around the country in support of her activism–and in the summer of 1983, she walked from Durham, North Carolina to Seneca, New York as part of the Women’s Peace Walk.

From left to right: Judy Winston, Mandy Carter, Elana Freedom. The trio completed the entire 600+ mile walk. Along the way, other women joined for a day, weekend, week, or longer. Newspaper clipping, 1983, Mandy Carter Papers
From left to right: Judy Winston, Mandy Carter, Elana Freedom. The trio completed the entire 600+ mile walk. Along the way, other women joined for a day, weekend, week, or longer. Newspaper clipping, 1983, from the Mandy Carter Papers.

Organized by the Southeast Regional Office of the War Resisters League—where Carter worked at the time—the Women’s Peace Walk aimed to draw attention to and protest the build-up of nuclear arms and specifically, the planned deployment of Cruise and Pershing II missiles to Europe later that year.

Women’s Peace Walk brochure, 1983.  From the Mandy Carter Papers.
Women’s Peace Walk brochure, 1983. From the Mandy Carter Papers.

Organizers timed the end of the walk to coincide with the beginning of the Women’s Encampment for a Future of Peace and Justice, and the destination itself held particular significance. The area was not only home to the Seneca Army Depot, a nuclear bomb and missile storage site, it was also where women of the Iroquois Nation met in 1590 to demand an end to war among the tribes and where more than 300 men and women came together in 1848 for the nation’s first women’s rights convention.

If you’re interested in learning more about Mandy Carter, her lifelong activism, and social change in Durham over the past 30 years, head down to the Durham County Library at 5:30pm on Wednesday for a panel discussion featuring Carter, Caitlin Breedlove (Co-Director, Southerners On New Ground) and Steve Schewel (Founder, Independent Weekly). Event details are available here.

Post contributed by Stephanie Barnwell, Bingham Center Intern.

Race, Gender and Identity in Artists’ Books

Date: Monday, March 25, 2013
Time: 6:30 p.m.
Location: Perkins Library, Room 318 (Rubenstein Library Classroom)
Contact Information: Kelly Wooten, kelly.wooten(at)duke.edu

The book form can become a vehicle for personal histories and obsessions. Please join us for a discussion of how Clarissa Sligh and Nava Atlas have explored their own experiences of race, gender, and identity through book arts. Both artists have placed their papers at the Sallie Bingham Center, which also has a collection of over 300 artists’ books by women.

Photos of Nava Atlas and Clarissa Sligh

Clarissa Sligh  is a visual artist, writer, and lecturer. When she was 15 years old she became the lead plaintiff in the 1955 school desegregation case in Virginia. After working in math and science with NASA and later in business, she began a career as an artist, using photographs, drawings, text, and personal stories to explore themes of transformation and social justice.

Nava Atlas is known both as a vegetarian cookbook author and as a fine artist. Her artists’ books engage images, text, and structure to explore themes of social justice and women’s roles. Many of her works re-appropriate found materials and challenge the language and images used to reinforce gender roles and stereotypes.

Read more about Atlas and Sligh in the Spring 2012 issue of Women at the Center.

 

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian, Sallie Bingham Center

Fascinating Finds in the Stacks: Women’s Lib?

In the wake of our collections move, I came across a board game, “Women’s Lib? A Game of Women’s Rights.” As a child of the seventies, the box’s Bob Fosse-esque cover image caught my eye, as did the oh-so-1970 line drawings that reminded me of Schoolhouse Rock and other educational cartoons of my youth. However, this board game has a decidedly adult theme.

WomensLibGame

womenslibEach player selects a character that represents one of six different stances on the Women’s Liberation Movement, ranging from “Male Chauvinist” to “Moderate Woman,” to “W.O.M.B. (Women Opposed to Male Bigots).” Characters then vote on contemporary issues as prompted by playing cards. These topics are familiar to us over 40 years later:  Abortion, Day Care, Employment Equality, Women’ Legislation and Domestic Issues. In fact, the only category on the election docket that we don’t hear much about today is “Male Contraception.”

Points are awarded to players who successfully campaign and debate to achieve the goals favored by the character they represent. The game sets out to educate players about controversial gender issues in a rapidly changing world. Although this piece of memorabilia seems anachronistic today, the topics it addresses are still extremely relevant.

This board game joins a number of other games and playing cards held by the Bingham Center that explore issues related to women and gender. For even more fun and games in the Rubenstein Library, check out the Richard Pollay Collection of Advertising-Related Board Games, or the Edwin and Terry Murray Collection of Role-Playing Games.

Post contributed by Megan Lewis, Technical Services Archivist for the Sallie Bingham Center for Women’s History and Culture.

Come Visit! We’re Now Taking Applications for Travel Grants

Researchers! The David M. Rubenstein Rare Book & Manuscript Library is now accepting applications for our 2013-2014 travel grants.

The Sallie Bingham Center for Women’s History and Culture, the John Hope Franklin Research Center for African and African American History and Culture, and the John W. Hartman Center for Sales, Advertising & Marketing History will award up to $1,000 per recipient to fund travel and other expenses related to visiting the Rubenstein Library.

The grants are open to undergraduate and graduate students, faculty, independent scholars, artists, and activists who live more than 100 miles from Durham, NC and whose research projects would benefit from access to collections held by one of the centers.

More details—and the grant application—may be found on our grants website. Applications must be postmarked or e-mailed no later than 5:00 PM EST on March 29, 2013. Recipients will be announced in April 2013.

NC Travel Billboard, "Only a Day's Drive," undated. From the Outdoor Advertising Association of America Archives.
NC Travel Billboard, “Only a Day’s Drive,” undated. From the Outdoor Advertising Association of America Archives.

Some of last year’s recipients include:

At the Sallie Bingham Center for Women’s History and Culture:

  • Bridget Collins, a graduate student in the History of Science, Medicine, and Technology at the University of Wisconsin-Madison, used prescriptive literature held by the Bingham Center as part of her research for her dissertation, “From the Cradle to the Grave: Infectious Disease in the Twentieth Century American Home.”
  • Laura Foxworth, a graduate student in the Department of History at the University of South Carolina, for research for her dissertation, “The Spiritual is Political: How the Southern Baptist Convention Debated Feminism and Found the New Right.” You can read more about her visit here.
  • Jessica Lancia, a graduate student at the University of Florida, conducted research for her dissertation, “Borderless Feminisms: A Transnational History of the U.S. Women’s Movement, 1967-1985.” You can read more about her visit in the Fall 2012 issue of the Bingham Center newsletter.

At the John Hope Franklin Research Center for African and African American History and Culture:

  • Brooke N. Newman, Assistant Professor in the Department of History at Virginia Commonwealth University, for a study on gender, race, and power in the eighteenth century British Caribbean.
  • Kathryn Banks, Assistant Professor in the History and Political Science Department at Andrews University, for an examination of African-American employment in the Southern textile industry from 1895 to 1945.
  • Max L. Grivno, Associate Professor from the Department of History at the University of Southern Mississippi, for an analysis of slavery in Mississippi, 1690-1865.

At the John W. Hartman Center for Sales, Advertising, and Marketing History:

  • Anne Schmidt of the Max Planck Institute for Human Development in Berlin, Germany, for research for her book about the meaning and importance of emotions in advertising throughout the twentieth century in Germany and ways emotions were a constitutive element of capitalist practices of production and consumption.
  • Marcia Chatelain, Assistant Professor in the Department of History at Georgetown University, conducted research on the ways in which segregation shaped African-American food culture in the South for her book, A Taste of Freedom: African-American Dining Culture and the Struggle for Civil Rights.
  • Rochelle Pereira-Alvares, a graduate student in the Department of History at the University of Guelph, Canada, exploring how the marketing and advertising initiatives of Hiram Walker and Seagram influenced the way in which consumers purchased and imbibed spirits, and the impact consumers’ changing tastes had on the companies’ marketing and product development decisions, 1950-1990.
  • Bryce C. Lowery, a graduate student in Public Policy at the University of Southern California, for research for his dissertation, “The Consumable Landscapes of Los Angeles: How the Spatial Ecology of Outdoor Advertising Influences the Quality of Life.”

Post contributed by Stephanie Barnwell, Bingham Center intern.