In this month’s update of the CCC Project at Duke University, we are happy to announce the publication online of the records of Duke’s Department of African and African-American Studies. The items included in this collection document the beginnings of the department, the research and teaching of its faculty members, and the various social and cultural movements occurring within the African-American community during the 1970s and later. We encourage researchers to peruse the digitized documents, accessible from the collection inventory, to find a host of items sure to add to the scholarship of the long civil rights movement.
Our document spotlight for the month highlights the struggles that the African and African-American Studies Department, then known as the Black Studies Program, experienced in its earliest days. From its inception in 1969, the Black Studies Program had been offering several courses through adjunct faculty. Still, the Program lacked a director and its course slate remained minimal, although the Program did offer a major.
In addition, members of the African-American community at Duke contended that the university’s administration did not implement programs to encourage “black cultural representation.” The document shown below is a draft petition from late 1979 written by members of the African-American community at Duke asking the administration to ameliorate both the academic and cultural issues that hampered the growth of the African-American community at the university.
Although we do not have a completed petition in the Department’s records, the goals of the document did eventually become Duke’s policy. University administration would create new standards to recruit more African-American faculty members. In addition, the Program would soon become a fully-staffed Department. In terms of cultural engagement, the establishment of the Mary Lou Williams Center for Black Culture in 1983 helped to fulfill the demands listed in the petition. Researchers will now have the opportunity to learn even more about the beginnings of African-American Studies at Duke and how struggles for recognition led to a strong academic and cultural presence on campus.
The grant-funded CCC Project is designed to digitize selected manuscripts and photographs relating to the long civil rights movement. For more about Rubenstein Library materials being digitized through the CCC Project, check out previous progress updates posted here at The Devil’s Tale!
Post contributed by Josh Hager, CCC Graduate Assistant.
Search The Devil’s Tale
Tag Cloud2011acquisitions 2012acquisition advertisements advertising African American history artistsbooks audubon civilwar comicbooks conservation diaries digitization documentary dorisduke dukehistory durhamhistory economists events film fullframe games german judaica holidays human rights letterhead literature longcivilrights madmen madmenmondays movediary move prep movinghom oversized photography postcards recipes researchtips rubensteinstaff scrapbooks sports students thanksgiving wola women's history zines
The Devil’s Tale Archive
- Paul Derval, a le plaisir de vous presenter Une vraie folie : superspectacle en 2 actes et 40 tableaux de Michel Gyarmathy.
- Casino de Paris : Tout Paris, revue en 2 actes et 45 tableaux de M.M. Albert Willemetz, Saint Granier et Jean Le Seyeux, présentée par Léon Volterra.
- Premier album descriptif de Montmartre en 1927
- Novellen und Erzählungen (Volume c.1) May 21, 2013
- Der Roman der XII; (Volume c.1) May 21, 2013
- Im Hafen : lyrische und epische Dichtungen (Volume c.1) May 21, 2013
- Die Pietisten : Roman aus dem Leben der neuesten Zeit May 21, 2013
- Die Pietisten : Roman aus dem Leben der neuesten Zeit (Volume Bd.2 c.1) May 20, 2013