Sometimes I get a wonderful surprise when I’m doing the final quality check for items leaving the lab. This item that Mary recently finished is a good example of the value added that an in-house conservation lab provides. By repairing these in the lab, we can be much more thoughtful about saving unique and interesting bindings. The book is now headed back to the shelf and ready for its next reader.
Readers who celebrated Chinese New Year just a few weeks ago will know that 2017 is the Year of the Rooster. Fittingly, this wonderful painted scrapbook from the Charles Bailey Reed Collection recently came into the lab. Reed served as a radiologist in the U.S. Medical Reserve Corps in France during World War I. This scrapbook contains postcards, newspaper articles, photographs, and other ephemera from various cities in France, dated between 1914 and 1924. I just really love the image of the rooster crowing atop a discarded Pickelhaube, signalling the return to regular life after the war.
We are in the midst of preparing for an upcoming exhibit on the Haggadah, a text that describes the order of the Passover Seder. When examining a book, I really enjoy coming across signs that it was well used by previous owners. This Amsterdam Haggadah from 1695 was repaired several times and it is clear that was used at many Passover meals from the extensive staining from food or wine at specific page openings.
Conservation Services has been working closely with staff from our Digital Production Center this week to train in the operation of our new multispectral imaging equipment and learn about image processing. During the calibration and testing of the machine we took the opportunity to re-image the illuminated manuscript leaf which I posted on back in the summer. The palimpsest is so clearly legible in these new photos! We are very excited by the possibilities that this new imaging equipment opens for learning more about our collection materials.
The Tarheels play at Duke this Thursday night- the most recent episode in a very long rivalry. Earlier this year, when I was working on scrapbooks from the Eddie Cameron collection held in the University Archives, I came across this fun piece of ephemera from a game 75 years ago. The Victory Bell did not yet exist when Duke won this game, but the newly decorated bell will certainly ring tomorrow.
A few weeks ago, I wrote about a method for making your own custom cord. I had included an illustration of fiber to rope by Jane Dalrymple-Hollo, which mirrored a diagram from Tom Conroy’s 1987 article. A few days later, Jeff Peachey sent me a much earlier example of that same diagram from an 1842 issue of The Penny Magazine. This was quite serendipitous, as I am currently treating four volumes of that serial from our collection and I had already posted images of one in my post on book edge treatments. The illustrations in this magazine are just fantastic and the whole run is available through Hathi Trust. You can find the 1842 article about a rope and sail-cloth factory here.
Some recent acquisitions are in the lab this week for rehousing. We thought it would be interesting to peak at this small piece of illuminated parchment under ultraviolet light and a palimpsest became clearly visible. You never know what information may be hidden under normal lighting! For more examples, see previous posts on Preservation Underground and Bitstreams on multispectral imaging.
Yesterday we took a break from repair work to make heat set tissue. We followed the NARA recipe, tweaking as needed. We set up an assembly line to make quick work of it. We made about fifty sheets that varied in color and weight. We have some big digitization projects coming in, so it will be good to have a stockpile of this tissue ready to go.
This poor pamphlet got split in half when it got caught in the mobile shelving. It seems rather metaphorical. Can Conservation put the European Union back together again? Maybe. Or maybe we will just replace it with another copy. If only the other EU split could be solved so easily.
We currently have a small collection of late 19th and early 20th century cosmetic samples from our Advertising Ephemera Collection in the lab for stabilization and rehousing. The majority of the samples are little paper envelopes with loose powder inside, but one of them contained a fun little surprise.
This sample of Charles Meyer Exora Rouge was quite a bit thicker than the others and I could feel a tiny, rigid container inside. The adhesive on the envelope flap was easily released and inside was the smallest tin I’ve ever seen.
I don’t know exactly when this item was manufactured, but the bottom left of this page from a 1907 issue of the New York Clipper features an advertisement for free samples of Exora Rouge.
You just never know what you will find!