Today I traveled over to the Nasher Museum of Art to install an item from the Rubenstein Library for the upcoming Portrait of Venice exhibit. A hand-colored map of Venice from Georg Braun‘s 1572 edition of Civitates Orbis Terrarum (below) will be on display alongside the mural-sized woodblock print by Jacopo de’ Barbari.
The Nasher exhibit runs from September 7th until the end of this year. If you did not have a chance to see the Barbari print during the Glory of Venice show at NCMA, this is another good opportunity. The sheer size and detail of the piece is just incredible. The exhibit will also feature interactive multi-media displays produced through multi-disciplinary and collaborative research at the Wired! Lab at Duke.
Digital Forensics, Emulation, and the
Art of Restoration
Who: Ben Fino-Radin When: Wednesday, April 24, 4:00 p.m. Where: Perkins Library, Room 217 (Click for map) Contact: Winston Atkins (firstname.lastname@example.org) This event is free and open to the public.
In 1991, from a basement in lower Manhattan, contemporary artist Wolfgang Staehle founded The Thing, an electronic Bulletin Board System (BBS) that served as a cyber-utopian hub for NYC-based artists integrating computers and into their creative practice.
The Thing emerged at a moment when contemporary artists were coming to grips with personal computers and the role they played in visual art. The BBS, which began as a temporary experiment, grew to become an international network of artists and ideas. Then the World Wide Web emerged and in 1995 Staehle abandoned the BBS for a web-based iteration of The Thing. The cultural record of these crucial early years, inscribed on the platters of the hard drive that hosted the BBS, was left to sit in a dusty basement.
Fast forward to 2013. Digital conservator Ben Fino-Radin reached out to Staehle to investigate the state of the BBS. Did the machine that hosted The Thing still exist? Could the board be restored to working order?
For scholars interested in the intersection of art and technology, the ability to investigate the contents of the BBS and observe its original look and feel would help flesh out the history of the emergence of personal computers and visual art. Unhappily, it was discovered that the computer that hosted The Thing BBS was at some point discarded.
Join Ben Fino-Radin on Wednesday, April 24th, to discuss the process of digital forensics, investigation, and anthropology involved in the process of restoring The Thing BBS from the scattered bits and pieces of evidence that managed to survive, and how this story serves as a case-study in the need for a new model of digital preservation in archives.
About the Speaker
Ben Fino-Radin is a New York-based media archaeologist and conservator of born-digital and computer-based works of contemporary art. At Rhizome at the New Museum, he leads the preservation and curation of the ArtBase, one of the oldest and most comprehensive collections of born-digital works of art. He is also in practice in the Conservation Department of the Museum of Modern Art, managing the Museum’s repository for digital assets in the collection, as well as contributing to media conservation projects. He is near completion of an MFA in digital arts and MS in Library and Information Science at Pratt Institute. He holds a BFA in New Media from Alfred University.