Category Archives: Feature Articles

Rights! Camera! Action! Human Rights Film Series

A film series featuring human rights themed documentaries preserved in the Full Frame Archive at the Duke University Libraries. Each program will include a panel discussion.

Presented by the Duke Center for Human Rights, the Archive for Human Rights at the Special Collections Library, the John Hope Franklin Humanities Institute, and the Program in Arts of the Moving Image

Perkins Library, Biddle Rare Book Room, 7pm (except 13 July) 

November 3 No Umbrella and Please Vote for Me

No Umbrella Witness Fannie Lewis in action on November 2, 2004, as she struggles to manage a polling station in a predominantly African American precinct in Cleveland, Ohio.

Please Vote for Me A third grade class in central China has its first encounter with democracy when the students hold an election to select a class monitor.

January 26 Escuela

An all-American high school freshman’s experience is complicated by the fact that her Mexican-American family makes its living following the harvests from Texas to California.

March 16 Self-Made Man

The right-to-die debate goes west in this riveting portrait of a man and his family grappling with a darker side of rugged individualism.

July 13, Duke Gardens, Trouble the Water

A redemptive tale of two self-described street hustlers who survive Hurricane Katrina and become heroes

Events – Fall 2009

October 23

Middlesworth Award and Durden Prize Reception

The Middlesworth Award and Durden Prize recognize Duke University students’ excellence in research, analysis and writing and their use of primary sources and rare materials held by the Rare Book, Manuscript, and Special Collections Library (Middlesworth Award) and the Libraries’ general collections (Durden Prize). Join us for refreshments and the opportunity to honor the 2009 Middlesworth Award and Durden Prize recipients and applicants. Friday, 23 October, 3:30-4:30pm, Perkins Library, Biddle Rare Book Room

October 24

The Libraries Present Duke Moms and Dads!

Photo of Rick Hoyle

Rick Hoyle

The Libraries’ annual Parents’ and Family Weekend program featuring a Duke first-year parent. This year’s guest is Rick Hoyle, a social psychologist and Duke professor of psychology and neuroscience and associate director of the Center for Child and Family Policy. Hoyle’s research focuses on the role of self in social behavior; most recently he has been studying the causes and consequences of success and failure at self-control. In this Parents’ Weekend talk titled “Work Hard, Play Hard: The Waxing and Waning of Students’ Self-Control,” he will address questions such as, Why do some students excel at academic work but struggle with maintaining a desirable weight? and Is playing hard actually “work” for some students? He will also propose strategies for maximizing control over personal behavior in a challenging social environment.

Saturday, 24 October, 11:00am, Perkins Library, Biddle Rare Book Room

October 30–31

What Does It Mean to be an Educated Woman?

Photo of Jean O'Barr

Jean O’Barr
Photo by Les Todd, Duke Photography

The 4th biennial symposium of the Sallie Bingham Center for Women’s History and Culture will feature conversations on pedagogy, scholarship and activism in women’s education and pay tribute to the career of Jean O’Barr.

Jean O’Barr came to Duke in 1969, teaching a course in African politics that fall in the aftermath of student protests on campus. O’Barr became director of continuing education in the fall of 1971, and in 1983 she was tapped to establish the Women’s Studies Program. For eighteen years she served as the Program’s director, teaching undergraduate and graduate courses, editing journals and books, and founding the Council on Women’s Studies for Duke alumnae. In 2000, she stepped down to join the Program in Education; she retired in the spring of 2008. O’Barr currently teaches the senior seminar for the Baldwin Scholars each fall.

The symposium will open with a keynote address by Lisa Lee, director of the Jane Addams Hull-House Museum, at 4:00pm on Friday, 30 October, at the White Lecture Hall on Duke’s East Campus.

Programming on Saturday, which begins at 9:00am at Perkins Library, will include sessions on activism, scholarship, and pedagogy. For more information and to pre-register, call 919.660.5967 or go to the symposium website.

November 4

Witnessing Iran: 1979 and 2009

A discussion of the changing role of the eyewitness account in the creation of historical narrative—with Iran as the context. Speakers will include:

  • Mark Bowden, author of Guests of the Ayatollah: The First Battle in America’s War with Militant Islam. Bowden will talk about the interviews he conducted with hostages and hostage-takers involved in the 1979 Iranian hostage crisis as well as the accounts he received from military officials about the failed rescue attempt.
  • Negar Mottahedeh, associate professor in the Literature Program. Based on her knowledge of social networks and new media, Mottahedeh will talk about their relevance for understanding current events in Iran, where Twitter and Facebook played a prominent role in spreading information about the unrest that followed Iran’s national election. Mottahedeh posts frequently on Twitter about developments in Iran.

The program will be moderated by Bruce Kuniholm, dean of the Sanford School of Public Policy and a member of both the U.S. State Department’s Bureau of Intelligence and Policy Planning Staff during the Carter administration. Kuniholm is an historian who does research on U.S. policy in the Middle East, U.S. diplomatic history, and national security.

Duke’s Rare Book, Manuscript, and Special Collections Library holds transcripts of the interviews Mark Bowden conducted as well as the interviews Tim Wells did with thirty-six of the 1979 hostages as part of his research for his book 444 Days: The Hostages Remember.

Wednesday, 4 November, 4:30pm, Perkins Library, room 217

November 12

Photo of bather

Photo by Jennette Williams

Opening reception

Opening reception for The Bathers: Photographs by Jennette Williams, with remarks by the photographer.

Thursday, 12 November, 5:30-7:30pm, Perkins Library, Biddle Rare Book Room

November 20

Rare Music in the Rare Book Room

Photo of viola

“Viola: Child of the 20th Century,” featuring Jonathan Bagg, violist for Duke’s Ciompi String Quartet. Bagg will discuss the ways in which the viola’s unique voice evolved over several generations, finally coming into its own in the 20th century. Jonathan Bagg is professor of the practice of music at Duke and artistic director of the Monadnock Music Festival in New Hampshire.

Friday, 20 November, 4:00pm, Perkins Library, Biddle Rare Book Room

December 4

Rare Music in the Rare Book Room

“Flute Festivities,” featuring Rebecca Troxler, a noted performer and teacher of both modern and historic flutes. In a “master class”-style demonstration, Troxler will answer questions from the audience as she works with flute students, guiding them in the transition from playing modern flute to performing on an early instrument. Rebecca Troxler has been on the faculty of the Duke University Department of Music since 1981.

Friday, 4 December, 4:00pm, Perkins Library, Biddle Rare Book Room

Exhibits – Fall 2009

Perkins Gallery

Through 13 December

Sustainability At Duke: leave your mark not your footprint

image of students

Photo by
Jon Gardiner/Duke Photography

The concept of sustainability as we know it today owes it origins to the small hamlets of 14th century Germany, where villagers relied on extracting a sustainable yield from collectively-owned forests. History is punctuated with examples of cultures that have flourished or died off due to the economic, social and environmental sustainability of their daily behavior and decisions. This exhibit explores these issues and illustrates how members of the Duke community can create a more sustainable world.

Sustainability At Duke

15 December–21 February 2010

“I Take Up My Pen”: British Women Writers in the Nineteenth Century

image of woman writing

Nineteenth century Britain—a world of progress and reform, discovery and innovation, industrialization and social upheaval—was also the era of the professional woman writer. Nineteenth century women, desiring to contribute to cultural discourse, to voice their opinions, and to tell their own stories, demanded a place beside men in the world of letters.

This exhibit focuses on women’s writing as both a means of self-definition and a powerful tool for social change and highlights the tension between women’s domestic lives and their public contributions to nineteenth century discourse.

23 February–11 April

Abusing Power: Satirical Journals from the Special Collections Library

satirical french cartoon

Duke’s outstanding collection of satirical magazines offers a panoramic view of international journalistic caricature from its origins in the 1830s to the present day. This show surveys the spectrum of comic journalism, examining the visual languages of graphic satire and investigating its rhetorical power.

The Perkins exhibit is curated by Neil McWilliam, Walter H. Annenberg Professor in the Department of Art, Art History & Visual Studies with the assistance of some of his students and coincides with an exhibition of contemporary and historical graphic satire at Duke’s Nasher Museum.

The Nasher exhibition, developed by Duke and UNC undergraduate seniors and graduate students, will feature works from the founding of journalistic caricature—the campaign mounted by Daumier and his contemporaries against French monarch Louis-Philippe (1830–1848)—and compare them to cartoons of the Clinton and Bush presidencies. The Duke students working on the exhibit are enrolled in McWilliam’s visual studies course, “From Caricature to Comic Strip.”

Special Collections Gallery

Through 13 December

The Bathers: Photographs by Jennette Williams

Photo by Jennette Williams

Platinum prints of women in the ancient communal bathhouses of Budapest and Istanbul by Jennette Williams, a fine arts photography instructor at the School of Visual Arts in New York City. Williams has been selected to receive the fourth Center for Documentary Studies/Honickman First Book Prize in Photography for these photographs. She will discuss her work at the exhibit opening at 5:30pm on 12 November in the Biddle Rare Book Room at Perkins Library. The exhibit is co-sponsored by the Duke University Libraries and the Center for Documentary Studies at Duke University.

The Bathers

January/March 2010

Cedric Chatterley: Photographs of Honeyboy Edwards, 1990-1996

Photo of Cedric Chatterley

Chatterley’s black and white photographs trace the life and career of blues musician Honeyboy Edwards, beginning at his birthplace in Shaw, Mississippi, continuing through the Mississippi Delta to New Orleans and then north to Chicago. Traveling by himself and with Honeyboy, Chatterley drove thousands of miles documenting the important places in Honeyboy’s life and career while also photographing the musician at night clubs, blues festivals, concerts, recording sessions and, private family celebrations.

Special Collections Biddle Rare Book Room Cases

October/December

What is Jazz? Selections from the Jazz Archive at the Special Collections Library

Photographs, posters, analytic prose, music manuscripts, and recorded audio, along with playing cards, album covers, and literary fiction are examples of materials the Archive collects in order to document jazz’s social and cultural history. By exploring some of the artifacts of jazz’s past, this exhibit provides one response to the question, “What is jazz?”

January/March 2010

“To Hear Those Voices”: John Hope Franklin on African American History

An exhibit of materials from the Rare Book, Manuscript, and Special Collections Library that draws from the life and career of John Hope Franklin to explore slavery, the Jim Crow era, civil rights, and African American intellectuals in the 20th century. The exhibit will launch a year-long celebration of the 15th anniversary of the Special Collections Library’s John Hope Franklin Research Center for African and African American History and Culture.

A Midwife, a Librarian and the North Carolina State Legislature

sonogramMidwife Jane Arnold practices through the OB/GYN Department at the University of North Carolina School of Medicine and UNC Healthcare. Laura Micham, director of the Duke University Libraries’ Sallie Bingham Center for Women’s History and Culture, is one of her patients. At a recent appointment, Laura and Jane fell into conversation about a project Jane was engaged in. Jane and several of her colleagues were doing research on the history and current state of midwifery in preparation for a presentation to the North Carolina State Legislature. Their goal was to educate legislators about what midwives do and how the midwifery model of care contributes to positive maternal, fetal, and newborn health outcomes in the state of North Carolina and nationally. Laura told Jane about collections at the Bingham Center that document the history of midwifery and other aspects of the women’s health movement. “She was intrigued,” Laura said, “and asked if I would work with her on the presentation.”

Because Laura is also women’s studies librarian for the Duke University Libraries and selects materials for the Libraries’ general collections, she was able to identify a wide range of resources in addition to special collections that could support the project. Laura said, “I was happy to help with research on statistics, images, and basic information about the profession of midwifery.”

After reviewing a selection of materials at the Bingham Center, Jane decided that focusing on midwifery’s present and very recent past would be the best approach to take with the legislators. However, she was so inspired by the Center’s holdings that she has decided to propose a Grand Rounds presentation at the UNC Hospital on the history of midwifery that would be informed by Bingham Center collections as well as the holdings of other area libraries. Laura said, “I look forward to working with Jane and her colleagues on this endeavor and welcome it as an opportunity to collaborate with librarians at UNC to promote a tremendously worthy profession and give back to a group of women who have made an enormous difference in my life.”

Collections Highlight: Celebrating and Preserving the Art of Documentary Filmmaking at the Full Frame Archive

Kirston Johnson

Born into Brothels

Born into Brothels, directed by Zana Briski and Ross Kauffman, won the 2004 Full Frame Audience Award and was Best Documentary Feature at the 77th Academy Awards.

In the ten years since the founding of the Full Frame Documentary Film Festival, this organization has exhibited the most important contemporary documentaries from America and abroad. It has also created signature film series made up of new and vintage works which explored themes that have contributed to community discourse and have gone on to become hallmarks of international film exhibition. As documentaries play a vital role as witness and effectively comment on all aspects of society, the sum total of these works serves as an essential historical record of the last ten years. They reveal turbulent, changing times, a complex and powerful decade of events that have both shocked and inspired those who lived through them.

Nancy Buirski, Founder of the Full Frame Documentary Film Festival,
The Power of Ten, 2007 Full Frame Program

When the Full Frame Documentary Film Festival began in 1998 as the DoubleTake Documentary Film Festival, it changed Durham, North Carolina’s cultural landscape forever. During that first festival, a total of forty-five films were screened in three cinemas at Durham’s historic Carolina Theater. Three prizes were awarded to individual filmmakers for new documentaries and Albert Maysles and Michael Apted, pioneers of documentary filmmaking, were honored for lifetime achievement. Within a few years the Festival had made Durham a mecca for documentary filmmakers and film lovers from around the world.

City of Cranes

City of Cranes/Eva Weber

Now, more than a decade later, close to one hundred films are screened every April during the four-day Festival and between ten and twelve prizes are awarded for new documentaries made by both U.S. (including several from NC) and international filmmakers. The Festival also continues to present career awards to established filmmakers who have made significant contributions to the documentary arts.

As the Festival’s reputation grew, so did the appreciation of documentary film as a unique record of the social, cultural, political, and economic realities experienced by people around the world. In recognition of the genre’s significance, the Full Frame Festival and the Duke University Libraries entered into a partnership in 2007 to create the Full Frame Archive. The Libraries agreed to acquire, archive, and preserve copies of the Festival’s award-winning films at the Archive of Documentary Arts in the Rare Book, Manuscript, and Special Collections Library.

I for India

I for India/Sandhya Suri

The Full Frame Archive is one of only a few collections in the nation dedicated to preserving award-winning documentary films, which are a unique resource for interdisciplinary research. The Archive staff creates preservation masters of each film and houses them in the Library’s secure, climate-controlled storage facility. DVD copies of the films are made available at the Special Collections Library to Duke students and faculty and the larger scholarly community for teaching and research.

With over one hundred award winning films currently in the Full Frame Archive’s collection and at least eight new documentaries slated for preservation each year, the Archive has the potential to support research and teaching in a wide variety of disciplines and programs. Faculty from Duke’s Film/Video/Digital Program, Women’s Studies Program, Human Rights Center, and Divinity School have already used the films, which are transcultural in scope and explore themes as varied as world religions and spirituality, race, gender, human rights and war as well as an array of esoteric topics, each with its own unique appeal. The films are as individual as the filmmakers themselves and as diverse as the human experience. There are films on everything from modern life in a Tibetan monastery, female soldiers in Iraq and a children’s home in Russia, to demolition derbies, the art of making samosas, and the high-pressure world of professional Scrabble tournaments.

Intimacy of Strangers

The Intimacy of Strangers/Eva Weber

To encourage the use of the films, the Archive staff is making them available on campus for collaborative events that bring together students and faculty from different departments. Duke’s Divinity School recently screened 2007 Full Frame award winner The Monastery, followed by a panel discussion that included participants from the Center for Documentary Studies, the Department of Religion, and the Divinity School.

The Full Frame Archive promotes the groundbreaking work created by today’s documentary filmmakers and guarantees a lasting legacy for both the Festival and the artists. In a predominantly visual culture, and as visual studies increasingly become a part of every aspect of teaching and learning, this exciting collaboration encourages the use of documentary film as a catalyst for interdisciplinary scholarship, dynamic dialogue, and social change.

Non-circulating DVD copies of each preserved film will be available for use in the reading room of the Rare Book, Manuscript, and Special Collections Library, as well as for classroom screenings and special events. Licensed copies of the award-winning documentaries will be purchased from the filmmakers and will be more widely available through the circulating collection at Lilly Library. For a complete list of films preserved to date, please visit the Archive’s website at http://library.duke.edu/specialcollections/research/fullframe.html. To find more information about the Full Frame Documentary Film Festival in Durham, North Carolina, and to see a listing of 2009 events, please visit the Festival website at http://www.fullframefest.org/.

The Full Frame Archive receives support from the following sponsors:

  • Eastman Kodak
  • Alpha Cine Labs, Seattle
  • Duke University Office of the President
  • The Andrew W. Mellon Foundation

Read More about Documentary Filmmaking

  • Patricia Aufderheide. Documentary Film: A Very Short Introduction. New York: Oxford University Press, ©2007.
  • Erik Barnouw. Documentary: A History of the Non-Fiction Film. New York: Oxford University Press, 1993.
  • Stella Bruzzi. New Documentary. London; New York: Routledge, ©2006.
  • Jack C. Ellis and Betsy A. McLane. A New History of Documentary Film. New York: Continuum, ©2005.
  • Lewis Jacobs. The Documentary Tradition, from Nanook to Woodstock. New York: Hopkinson and Blake, ©1971.
  • Introduction to Documentary Production. Ed. by Searle Kochberg, London: Wallflower, ©2002.
  • Making History: Art and Documentary in Britain from 1929 to Now. Ed. by Barson, Morris, Nash, and Company, London: Tate Publishing, ©2006.
  • Bill Nichols. Introduction to Documentary. Bloomington, IN: Indiana University Press, ©2001.
  • Liz Stubbs. Documentary Filmmakers Speak. New York: Allworth Press, ©2002.
  • Beyond Document: Essays on Nonfiction Film. Ed. by Charles Warren, Middletown, CT: University Press of New England [for] Wesleyan University Press, ©1996.

Kirston Johnson is Moving Image Archivist at the Full Frame Archive.

Mobile Library

BlackberryLast fall the Duke Libraries introduced Mobile Library, a website at http://library.duke.edu/mobile/ designed specifically for faculty, students and staff using an iPhone, Blackberry, or other handheld device. The site gives library hours and directions, contact information for the Perkins reference desk, and links to other mobile sites. Mobile Library also offers real-time updates on computer workstation availability in the Link, Perkins, Bostock, Lilly and the Music Library.

Preserving Scholarship in a Digital World

by Cara Bonnett

Consider: The coolest thing to be done with your data will likely be thought of by someone else.

digitalThat’s the idea driving Paolo Mangiafico to explore new methods for managing and archiving the deluge of digital information at Duke. Mangiafico, formerly on the staff of the Duke Libraries, is the University’s new director of digital information strategy. His mission: to make sure Duke’s vast and varied digital output—from course Web sites and dissertations to wikis and raw scientific data—will be available to future scholars to use in ways we can’t currently imagine.

“The academy is based on building on the work someone has done before you,” Mangiafico said. “We need to provide incentives for people to share data, help other people get to that data and mash it up, and make sure the stuff persists over time. Someone might not think to do those mash-ups until twenty years from now.”

Mangiafico’s efforts—one element of a new University initiative funded in part by a Mellon Foundation grant —are aimed at developing not just a digital attic, but a technological infrastructure and set of policies that will add value to researchers’ current work. The endeavor also stirs up some sticky issues, such as how to turn research data into “knowledge in the service of society” with greater efficiency and how to reward digital collaboration in an academic environment.

Because the traditional tenure system is still tied to print publication, researchers may feel especially protective of their data—despite the documented citation advantage of open access articles, said Kevin Smith, Duke’s scholarly communications officer. “There’s a mental roadblock: If I make the data available, will somebody else jump my claim, take my data and publish my article before I do,” said Smith, whose blog, http://library.duke.edu/blogs/scholcomm/, explores legal issues such as authors’ rights, copyright and fair use.

Despite these concerns, the open access movement has made progress nationally, with a 2008 mandate from the National Institutes for Health requiring scientists to submit finished papers to the PubMed Central database to allow public access. And there has been progress at Duke, too. This spring, the University instituted a requirement that all theses and dissertations be contributed to an open access repository.

But there is further to go, said Ricardo Pietrobon, associate vice chair of surgery at Duke and director of Research on Research, a collaborative effort to maximize research productivity and patient outcomes. According to Pietrobon, inefficient access and distribution systems in biomedical research, for example, can mean a ten-year gap between publication of a clinical trial and implementation in clinical practice. “The more we can streamline that conversion of information to practice, the faster we can improve patient care,” he said.

Even at Duke, where the community is interested in sharing, coordinating parallel campus efforts can still be challenging. Systems are already in place to manage and preserve vital University records, such as Board of Trustee minutes, payroll records and student transcripts. And the University Archives works closely with the Office of News and Communication, for example, to preserve all Duke press releases and new multimedia content such as podcasts and “Duke on Camera” video clips.

However, while a 2006 survey of 120 interdisciplinary centers and 50 academic departments and programs across Duke identified a handful of existing digital repositories (see sidebar below), there are no long-term plans for management and preservation of “born digital” data such as electronic course catalogs or department newsletters, University Archivist Tim Pyatt said. “What worries me is the stuff I don’t know about—keeping track of the new content that comes up that doesn’t have that paper equivalent,” Pyatt said. “Hundreds of us are trying to find these solutions independently. We need to be thinking about this together, so we’re not spending multiple resources to solve the same problem.”

That’s where Mangiafico, who led the Duke Libraries’ first digitization projects in the 1990s, comes in. As more materials take on new life in the digital world—from Duke’s famed ancient papyri collection to past issues of Duke’s yearbook, the Chanticleer,—he wants the Duke community to think more strategically about what is worth saving and, for what is saved, how those digital assets might be used in the future.

“It’s hard to decide what’s important in advance, but the tools and infrastructure we build now need to factor in the long term,” Mangiafico said. Only through that kind of forethought and coordination can the University facilitate the kind of data-driven “mash-ups” that will fuel the next generation of unexpected collaborations. Mangiafico predicts: “With enough eyeballs, you make better discoveries.”

About the Digital Information initiative

What: The initiative is a joint project of the Office of the Provost, the Duke University Libraries and the Office of Information Technology. It has been funded in part by a $325,000 grant from The Andrew W. Mellon Foundation, in partnership with Dartmouth College.

Who: Paolo Mangiafico, who was named Duke’s director of digital information strategy last fall, will support the provost’s new digital information steering committee, to be made up of faculty, archivists, information technology staff and representatives from other areas of the university.

Next steps: The committee will begin discussions this spring about goals, priorities, policies and potential pilot projects. Mangiafico also plans to assemble an informal group of information technology, library and other staff to share best practices and work toward common approaches.

Beyond Duke: Duke and Dartmouth share an advisory group to guide development of a digital information strategy that can serve as a model for other institutions. The advisory group, which comprises university information technology directors, library directors and vice provosts from Duke, Dartmouth, the University of Chicago, Princeton, Yale, University of Virginia and Williams, met for the first time in December and plans to meet again this fall.

Online repositories at Duke

Here are a few examples of existing campus repositories:

  • Duke Law Faculty Scholarship Repository: a full-text electronic archive of scholarly works by Duke Law faculty
  • Duke Student Portfolio: an electronic archive of undergraduate student work (text, audio and video files), managed by the College of Arts & Sciences
  • DukeSpace: a project of Duke Libraries and University Archives that provides access to electronic theses and dissertations, as well as selected University records
  • MedSpace: Duke Medicine Digital Repository, Medical Center Archives repository
  • Faculty Database System: an electronic collection that includes faculty directory information, as well as curricula vitae and research

Staying Ahead of the Digital Avalanche

Part detective, part digital archaeologist. That’s how electronic records archivist Seth Shaw sees himself. He excavates data from 3 1/2-inch floppy disks, digital camera memory cards, and hard drives circa 2000. A Nobel Laureate in economics even revealed his username and password to Shaw in order to donate his e-mail correspondence to the Duke Libraries.

And unlike the archivists of generations past who could set boxes of letters or old photographs aside for later cataloging, Shaw faces the twin ticking time bombs of technology obsolescence and “bit rot.” “When you stick papers in a box, you don’t have to go back and check every month to make sure they’re still there. You don’t assume the box is spontaneously going to die on you, like a hard drive might,” Shaw said.

Shaw is on the front lines of a new Duke initiative to preserve the “born digital” artifacts that might someday document the work of a future Nobel Laureate or help tell the story of campus life in 2009 when the University marks its 100th anniversary in 2024. His job highlights the uncertainty inherent in trying to ensure that the University’s most precious digital resources are preserved and usable beyond the short lifespan of current technologies.

In an effort to capture the first rough draft of Duke’s current history, for example, Shaw wrote his own computer program to copy seven years’ worth of multimedia files off servers and hard drives in the Office of News and Communication. He left with 211 gigabytes’ worth of University news and the knowledge that each passing day generates a new flood of digital data he can’t possibly hope to sift through, let alone store.

Meanwhile, Shaw also faces growing skittishness among prospective donors, who fear what one Duke student called the “promiscuous access” of online data sharing. “It’s one thing to have a box of papers on the shelf in the library that someone might pull down,” Shaw said. “It’s a whole different story if you donate your papers and someone could type your name into Google and find your files.”

In an era when the first draft of scholarship is written in wikis and blogs and researchers can store an entire career on a Flash drive, Shaw sometimes feels as if he’s trying to outrun an avalanche. “We’re trying to make preservation decisions in a foggy crystal ball,” Shaw said. “There is no future-proofing. We’ll always be trying to keep up with technology.”

Cara BonnettCara Bonnett is Managing Editor, News & Information, for Duke’s Office of Information Technology.

Exhibits – Spring 2009

Perkins Gallery

March/May

Sarah P. DukeSarah P. Duke Gardens—Hanes’ Dream, Sarah’s Gift, our Treasure

To mark the Duke Gardens’ 75th anniversary, this exhibit explores topics such as the geological importance of the stone used to create the terraces, the work to save endangered plants, the significance of the Metasequoia trees, and the more recent work in association with Gardens for Peace. View a short video of the opening of the terraces in 1939 at the exhibit website.

May/August

Chinese Paintings from the Kingdom of Min

An exhibit that reveals the culture of China through literature and art. Books from the collections of the Duke University Libraries will be on display with paintings and books from the collection of Professor Emeritus Paul Wang. In an era of complex international relationships, this exhibit invites viewers to see China as a humanistic society as well as an influential economic and political power.

August/October

The Sea is History—Moun Kantè,Yoleros, Balseros, Boteros

Photo of Haitian girl

Photo from Historian’s Office, United States Coast Guard, Washington, D.C.

Four coordinated events: two exhibits, one at Perkins Library and the other at the Franklin Humanities Institute, and two related panel discussions to commemorate the hundreds of thousands of Dominicans, Haitians and Cubans who have left their homelands in fragile boats and rafts over the last three decades in search of better lives. The exhibit in the Perkins Gallery will feature books, photos and ephemera drawn from the collections of the Duke University Libraries, together with works of art made by the boat people themselves. The art is on loan from the collection of Holly Ackerman, Librarian for Latin America and Iberia, who is the curator of the exhibits. The Perkins exhibit and a program in September are co-sponsored by the Libraries, Franklin Humanities Institute, Vice-Provost for International Affairs, Center for Latin American and Caribbean Studies, Global Studies Institute, Duke in the Andes, Atlantic Studies and the Departments of African and African American Studies, Romance Studies and Women’s Studies. Professors Michaeline Crichlow and Deborah Jenson are partners in planning the series of events.

At the Nasher Museum at Duke

July/October

Beyond Beauty: Photographs from the Duke University Special Collections Library

An exhibit featuring more than 80 original photographs, films, personal artifacts and rare published portfolios, many of which will be on view for the first time. The exhibition includes photographic material from the 1860s to the present selected from Duke’s Rare Book, Manuscript, and Special Collections Library by the curatorial team of Patricia Leighten, professor of Art, Art History & Visual Studies; Sarah Schroth, Nancy Hanks Senior Curator at the Nasher Museum; Karen Glynn, visual materials archivist at the Special Collections Library; and Margaret Morrison, a Duke student intern at the Nasher Museum.

Special Collections Gallery

April/August

William Gedney & Paul Kwilecki: Seminal Collections from the Archive of Documentary Arts

Photo by William Gedney

Photo by William Gedney

An exhibit featuring selections from two of the Archive’s major collections. The 50,000-item Gedney collection documents his work from the 1950s to 1989. Subjects include photographs of cross country road trips; rural New York; Manhattan; Brooklyn; rural Kentucky; hippies in San Francisco; composers; gay rallies and demonstrations; St. Joseph’s School for the Deaf; India; England; Ireland; France; and, a large number of nocturnal pictures. Paul Kwilecki’s black-and-white prints document life in Decatur County,Georgia, where he began as a self-taught photographer in 1960; he continues to work in the same locale today.

September/December

Bathers: Photographs by Jennette Williams

Jennette Williams, a fine arts photography instructor at the School of Visual Arts in New York City, has been selected to receive the fourth Center for Documentary Studies/Honickman First Book Prize in Photography for her platinum prints and color photographs of women at European and Turkish bath houses. The Center for Documentary Studies (CDS) at Duke University and The Honickman Foundation (THF), based in Philadelphia, co-sponsor this prestigious biennial prize for American photographers. The only prize of its kind, the CDS / Honickman First Book Prize competition is open to American photographers of any age who have never published a book-length work.

Special Collections Biddle Rare Book Room Cases

April/June

Home Gardening for Love and the Kitchen Table

Seed and nursery catalogs, almanacs, ‘how to’ books, and cookbooks tell a colorful story about the gardening of flowers, fruits, and vegetables in the U.S. Examples of women’s writing about gardening will also be featured in this exhibit.

July/September

Highlighting Human Rights

An exhibit drawn from the diverse materials making up the collections of the Archive for Human Rights at the Duke University Libraries

Knowledge Bytes

Internet Sites Selected for the Readers of Duke University Libraries

The Pew Center on the States: Trends to Watch

http://www.pewcenteronthestates.org/trends.aspx

Map from Pew Center website

Change is upon us, both at the Libraries—as this issue of the magazine relates—and in the United States. To provide some insight into the nature of future national and state issues, the Pew Center on the States has created a “Trends to Watch” site for policymakers, public officials, and the general public. The site’s homepage presents an overview related to eight major economic, technological, social, and environmental trends and issues likely “to be profound determinants of the prospects of states in the next 10 years.” These issues include migration patterns (“The Big Sort”), liabilities (“Bills Coming Due”), and climate change (“Green Wave”). Visitors can click on each of these eight major trends and issues to retrieve thematic and interactive maps, data tables, and press releases. Additionally, visitors can compare all of the 50 states via handy and easy-to-read charts and graphs. The site is cleanly designed and easy to navigate. Visitors who want to be alerted to additions to the site can sign up for the Center’s weekly online newsletter and its RSS feed.

2010 Census [pdf]

http://www.census.gov/2010census/

Short forms, long forms, Alaska Native, and so on. Any way you look at it, the United States Census is a complicated and fascinating feature of our national life. As dictated by the U.S. Constitution, the census is taken every ten years through a process that is evaluated almost constantly. Recently, the U.S. Census Bureau created the 2010 Census site in order to inform the general public about the upcoming census. Visitors to the page can read about census updates and statistical modifications and see the timeline for the 2010 census. The site also contains links to data from previous censuses, and a fun “Did You Know?” section. Interested parties can also look at the current U.S. population, learn about part-time job opportunities with the Census Bureau, and scan frequently asked questions. Rounding out the site are census data from 1990 and 2000, a population finder that allows users to find the population of any area or zip code, and a map of population density.

Periodical Historical Atlas of Europe

http://www.euratlas.com/

This seventh edition of the Periodical Historical Atlas of Europe, available in English and French, is a project of Christos Nussli. It consists of maps “depicting with accuracy the states of this continent on the first day of each centennial year from AD 1 to AD 1700.” A legend helps users understand each of the maps, which are presented as expandable thumbnails. The site also links to a bibliography and maps from De Imperatoribus Romanis: An Online Encyclopedia of Roman Emperors. Though the site functions in part as an advertisement for Nussli’s CD version of the atlas, it is nonetheless a useful stop in its own right.

OneLook Reverse Dictionary

http://www.onelook.com/reverse-dictionary.shtml

Crossword PuzzleEveryone has had the frustrating experience of not being able to remember a particular word or phrase. Fortunately, there is now the OneLook Reverse Dictionary website that is a remedy for this situation. Essentially, a user enters a concept into a search engine and receives a list of pertinent words and phrases. For example, typing in “joy from the pain of others” returns over one hundred results, including “schadenfreude.” The site offers several additional options, including searches for related concepts, the foreign translation for a word, or basic identifications. Perhaps the most important function of the Reverse Dictionary is that users (if they are so inclined) can also use the database to solve crossword puzzle clues.

Thanks to the Internet Scout Project (Copyright Internet Scout Project, 1994-2009. http://scout.cs.wisc.edu/) for identifying these sites. If you would like to recommend a Web site for inclusion in a future issue of Duke University Libraries, contact Joline Ezzell at joline.ezzell@duke.edu.

Red Clay Rambler Bland Simpson to Entertain the Duke Friends

Bland Simpson

Photo by Fayetteville Observer

Teacher, writer, and musician Bland Simpson will provide the evening’s entertainment for the 2009 Friends dinner, playing the piano and reading from and discussing his books. The event will be held on Wednesday, 13 May, at the Duke Gardens’ Doris Duke Center. Members of the Friends of the Duke University Libraries should have received invitations to the event. If you did not receive an invitation but would like to attend—even if you are not a member of the Friends, contact Lizzy Mottern at lizzy.mottern@duke.edu or 919.660.5856.

Simpson has been on the faculty of UNC-Chapel Hill’s creative writing program since 1982 and served as the program’s director from 2002 to mid-2008. His books include Heart of the Country, A Novel of Southern Music; The Great Dismal, A Carolinian’s Swamp Memoir; The Mystery of Beautiful Nell Cropsey, A Nonfiction Novel; and The Inner Islands: A Carolinian’s Sound Country Chronicle.

A member of the Tony Award-winning string band the Red Clay Ramblers since 1986, Simpson has toured extensively in North America, Europe, the Middle East and North Africa and has also collaborated on, or contributed to several musicals: King Mackerel & The Blues Are Running: Songs & Stories of the Carolina Coast; Diamond Studs; Hot Grog; Life on the Mississippi; Lone Star Love, The Merry Wives of Windsor, Texas; Tony-nominee Pump Boys & Dinettes; Cool Spring; Tar Heel Voices; Kudzu, A Southern Musical; and three-time Broadway hit and special Tony Award-winning Fool Moon. In September 2002, Simpson worked with the Ramblers on a Waynesville, NC, preview of the Diane Coburn Bruning-choreographed ballet of their music, Ramblin’ Suite. The ballet premiered at the Fox Theater in Atlanta, 31 October-3 November that year. A second Ramblers ballet, Carolina Jamboree, developed and performed with the Carolina Ballet, premiered at Raleigh Memorial Auditorium in February 2005 and was broadcast by UNC TV statewide in early 2006. Carolina Ballet and the Red Clay Ramblers restaged this work in June 2008.

In November 2005 Simpson received the North Carolina Award for Fine Arts, the state’s highest civilian honor. He has also been recognized for his writing and music concerning state and regional heritage in North Carolina.