The Duke University Libraries are pleased to announce the winners of our 2017 Andrew T. Nadell Prize for Book Collecting.
Since 1947, the Friends of the Duke University Libraries have presented the contest in alternate years to promote reading for enjoyment and the development of students’ personal libraries. The contest is open to all regularly enrolled undergraduate and graduate students at Duke University. The winners for 2017 are:
First Prize: Jessica Lee, “Hamilton to Homer: A Mythoholic’s Journey to Becoming a Classicist”
Second Prize: Caroline del Real, “The Unfathomable Journey: A Factual and Fictional View of Life Under the Sea”
First Prize (tie): Colin O’Leary, “The ‘Library of Forking Paths’: Jorge Luis Borges, His Literary Antecedents and His Descendants”
First Prize (tie): Jason Todd, “Century of Upheaval: War and Revolution in China and Around the World”
Second Prize: Brent Caldwell, “Politics by Example: My Political Mentors, America’s 20th Century Greats”
Since 1947, the Duke University Libraries have presented the Prize for Book Collecting in alternating years to promote the development of students’ personal libraries.
Members of the public are invited to a showing at which undergraduate and graduate student competitors will have selections from their personal collections on display and will answer any questions about the works they collect.
The contest is named for Dr. Andrew T. Nadell M’74, who began collecting rare books when he was a student at Duke. The contest is open to all students regularly enrolled in an undergraduate or graduate/professional degree program at Duke. Winners of our contest will be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony at the Library of Congress in Washington, DC.
Guest post by Ashley Rose Young, Ph.D. candidate in History at Duke and the Business History Graduate Intern at the Hartman Center.
My life has always revolved around the sale and distribution of food. My food-centric lifestyle is not all that surprising, as my family owns and operates gourmet food stores in Pittsburgh. By the time I was three years old, I was working behind the counter, standing on a plastic milk carton so that customers could see me while I earned my family “business degree.” After years of practice (and a growth spurt or two) I could easily reach over the counter to hand my family’s homemade kielbasas to customers. My grandfather made those sausages. He established the family business, too, by starting as an itinerant vendor at a roadside food stand in the 1940s. Over time, he worked his way towards opening a series of grocery stores with the support of my grandmother, mother, aunts, and uncles. Together, my family created a business committed to supporting small-scale local farmers and artisans while preserving the culinary heritage of Pittsburgh.
Inspired by my own experiences and those of my family, my dissertation research focuses on urban food economies in the United States. Specifically, I study street food and market vendors in New Orleans and the global influences on the city’s Creole cuisine. As a major Atlantic port city, New Orleans was connected to communities and food cultures throughout the Atlantic Rim, adopting ingredients like okra from West Africa and cooking techniques like starting soups with a French-style roux. Tracing those influences, I have visited archives and conducted fieldwork in countries like France, Italy, and Morocco, all of which influenced the development Creole cuisine. At the National Library in France, I studied the parallels and dissimilarities between artistic renderings of street food vendors in Paris and those in New Orleans. While the images were different in the ways they revealed cultural bias, in both places it was common for artists to pair images of food vendors with sheet music that captured their cries of “Piping hot rice fritters!” and “Beautiful cakes!”
Fascinated by the prevalence of street cries in New Orleans’ historic soundscape, I sought connections to modern day street food cultures. In order to do so, I conducted fieldwork in Palermo, Sicily—a city known for its musical food vendors. Although most people do not associate New Orleans with Italian food culture, in the late nineteenth century, the city had one of the largest Sicilian immigrant populations in the world. In fact, at that time, New Orleanians colloquially referred to the French Quarter as “Little Palermo.” The sonorous voices of Sicilian food vendors rang throughout the city. Folklorists captured their calls on the page in compendiums like Gumbo Ya-Ya: Folktales of Louisiana (1945). In that volume, an Italian vendor is described as singing while he hawks his wares: “Cantal—ope—ah! Fresh and fine, just off a de vine, only a dime!”
Modern-day Palermo’s urban food scene shares similarities with New Orleans’ historic one. Like the Big Easy, Palermo’s streets are crowded with food vendors who entreat passersby with humorous and delightful calls. One of their more popular grab-n-go foods in the city is sfincione, or street pizza. Sfincione is simple and economical—a tasty combination of spongy crust, tomato sauce, olive oil, and a healthy sprinkling of dried parsley. Commenting on those humble origins with a bit of humor, one of the traditional Palermitano street cries is: “Scarsu d’ogghio e chinu i prubulazzo!” Or, in English, “Lack of oil and plenty of dust!” Another more enticing cry is, “Uara u sfuinnavi uara! Chistu è sfinciuni ra bella viaro!”—“I’ve just taken it out of the oven! This is a very beautiful sfincione!” The street cries of Palermo work in similar ways to those of historic New Orleans, attracting the attention of potential customers with a witty, entertaining performance. For food vendors past and present, charm is a major component of their business strategy. I had witnessed the power of charisma so long ago, perched on my milk carton while my mother wrapped parcels of sausage and joked with customers.
Entranced by that charm and my newfound academic approach to food, a dissertation (or one might say obsession) was brought to life. Even when traveling without a research agenda, I was constantly analyzing the local food cultures around me to connect what I observed in New Orleans with what I witnessed abroad. There were a few surprises along the way. While in Peru for an academic conference, for example, I learned about a maize beer called chicha de jora that resembled a fermented corn beverage popularized by Choctaw Indians in colonial New Orleans. Although I had originally focused my dissertation research on New Orleans’ connections to Europe, West Africa, and the Caribbean, the discovery of chicha de jora encouraged me to study Latin American influences on Creole cuisine as well.
Photography was a means of crystalizing these connections while also honoring the distinctiveness of community food cultures. Over the years, as I wandered through countless markets, I sought to capture the vibrancy of locally grown produce, the entrepreneurial spirit of food vendors, and the enduring presence of local food cultures in an age of homogenized industrial food.
I now have the opportunity to share these dynamic cultures in an exhibit I’ve curated for Perkins Library: To Market, to Market! Urban Street Food Culture Around the Globe. Through this exhibit, you can compare the texture and shape of ruby red radishes in Paris with their kaleidoscopic counterparts in Durham. Or you can draw parallels between curbside displays of fish in Essaouira, Morocco with those for sale at the Vietnamese Farmers’ Market in New Orleans East. The exhibit, which consists of twenty-four photographs, is loosely organized, encouraging you to create your own narrative of the interconnectivity of urban food around the world.
The exhibit is installed on the Student Wall on the first floor of Perkins Library, opposite the Thompson Writing Studio. It runs through March 31, 2017.
The papers of Maria de Bruyn, a medical anthropologist, are a recent acquisition by the History of Medicine Collections and will be the focus of this event and several others this fall. The Duke University History of Medicine Collections is a rich resource for teaching Duke medical students about the centuries of medical experimentation that inform the modern practice of medicine.
On November 30, the Franklin Humanities Institute Health Humanities Lab will host a special World AIDS Day event featuring a keynote address by de Bruyn and a lecture by poet and writer Kelley Swain.
In addition, students in professor Kearsley Stewart’s Duke Global Health Institute’s fall seminar on HIV/AIDS will discuss their three-week workshop with Swain and present an exhibit of their work based on materials from the Maria de Bruyn collection.
A reception is to follow the presentations. The event is free and open to the public and will take place on November 30, 3:00 – 6:00 pm, in Rubenstein Room 153. Contact Kearsley Stewart for more information, email@example.com.
Last Thursday, we played host to Edgefest, an arts extravaganza that took advantage of the Libraries’ newest space, The Edge, by filling the walls with art. There was an amazing turnout, with hundreds of students flocking to sample the smorgasbord of tasty treats (everything from mocktails to cupcakes and mushroom sliders) and staying to add their own piece of whiteboard art.
The walls of the Edge were covered from top to bottom with art–both doodles and masterpieces alike. Duke’s unofficial artists had no shortage of creativity; from Van Gogh’s Starry Night to a full color map of Durham, Pacman to Pokémon; we saw all kinds of creations.
The Poetry Fox (a local Durham writer who writes on the spot poetry based on a single word) cranked out poems all evening for many eager poetry enthusiasts. Student performers, including Inside Joke, #busstopguy, and DUI, entertained artists throughout the evening.
Since 1947, the Friends of the Duke University Libraries have presented the contest in alternate years to promote reading for enjoyment and the development of students’ personal libraries. The contest is open to all undergraduate and graduate/professional students who are regularly enrolled at Duke University. The winners for the 2015 contest are:
First prize: Claudia Dantoin, “A British Homecoming: Growing Up Alongside Austen, Dickens, and Dahl”
Second prize: Katie Fernelius, “Women’s Fiction of the Past One Hundred Years: Re-Reading the World in My Own Image”
First prize (tie): Anne Steptoe, “Look Homeward: A Girl’s Journey Homeward through 20th Century Southern Literature” (pictured above)
First prize (tie): Andrew Patty, “Masculinity, Race, and Southern University: An Exploration of the Role of Fraternities in College Life” (pictured below)
Second prize: Yuqian Shi, “Across the Great Wall, I Can Reach Every Corner of the World”
Since 1947, the Friends of the Duke University Libraries have presented the Book Collectors Contest in alternating years to promote the development of students’ personal libraries.
Join us for a showing at which student competitors will have selections from their collections on display. Students will be on hand to answer questions about their individual collections. The showing is free and open to the public.
Guest post by Jennie Saia, Thompson Writing Program Coordinator. Jennie worked with Writing Studio Director Vicki Russell and Writing Studio Acting Director Jim Berkey to curate the “Writing Is Like…” exhibit. The exhibit will be on display on the Perkins Library Student Wall through mid-November.
Every October, the Thompson Writing Program (TWP) celebrates how vital writing is to life and work at Duke.
The TWP joins university writing programs around the country in honoring October’s National Day on Writing. Last year, Writing 101 faculty and Writing Studio tutors asked Duke community members to complete the sentence, “Writing is like…”
Across campus, Duke students, faculty, and staff invented similes that expressed their thoughts on both academic and personal composition. Their comparisons get at the heart of what it feels like to actually sit down and write.
If you want to explore their answers, sixteen of the most creative replies are on display on the first floor of Duke’s Perkins Library. The showcased statements—sometimes profound, often humorous, occasionally sad—represent how the Duke community as a whole views writing. Join the conversation by adding your own simile to the open journal at the start of the exhibit.
You can also become part of next year’s exhibit by joining the 2014 National Day on Writing celebration. On Monday, October 20, look for writing activities in Perkins Library on West Campus and around the East Campus Quad. Stop by throughout the day to grab some candy, meet other writers, and answer the question, “What is the future of writing?”
Guest post by Maria Carla Cella, Graduate Liberal Studies Program. She curated the exhibit of prints currently on display on the Perkins Library Student Wall about the Beehive Design Collective.
In our multimedia world, we are constantly seeking a good way to tell our story. From cave paintings to blog posts, generation after generation of storytellers try to find the most emotive way to record history and pass it on. As a student of Latin America and the Caribbean, I have delved into many mediums in my efforts to understand the complex relationship between the global south and north. Despite the availability of information on the internet, innumerable academic journals, countless books and documentaries on the topic, it is difficult to find a comprehensive examination of what globalization really entails. Transmitting the information in a way that resonates with the widespread population is an even harder task.
Enter the Beehive Design Collective. Founded in 2000, this non-profit, all-volunteer, activist arts collective creates collaborative, anti-copyright images for use as educational and organizing tools. With its mission of “cross-pollinating the grassroots,” the cooperative uses intricate graphic illustration in the form of giant pen and ink posters that communicate stories of resistance to corporate globalization, free trade, militarism, resource extraction, and biotechnology. The Bees spread their art across the Americas, wielding it as an educational tool and aiming to help communities conceptualize alternatives to a globalized economic model based on exploitation. Funding the printing costs with donations, the Bees distribute 50 percent of each print run (full run averaging 20,000-30,000 prints) to communities in the global south free of charge, giving away prints to frontline communities, educators, and organizers actively working on the issues featured in the posters.
The Beehive Collective’s use of imagery and symbolic art ties the local to the global, providing microscopic detail on the interconnected nature of global issues and compiling the images into, literally, a bigger picture that is both overwhelming and hypnotizing. Using a word-to-image approach, the Bees are translators of complex global stories, which they learn and share through conversations with affected communities. The first time I unfurled and laid eyes on their massive poster, Mesoamerica Resiste, I knew I had found a gem that begged to be shared, and that its message would flourish and proliferate in the minds of the Duke community. If you want to dive into the Beehive’s art and see the epic story for yourself, stop by Duke University’s Perkins Library, where four of the Beehive Design Collective’s epic works are on display. You can also learn more about the Beehive Design Collective at their website: beehivecollective.org.
A new exhibit in Perkins Library highlights the major points of struggle and triumph in Duke’s LGBTQ history over the past 50 years. The exhibit begins with the earliest records of LGBTQ activity on campus—the dark days of arrest and expulsions—and culminates with the thriving and active queer community seen at Duke today. This transition was neither quick nor linear. LGBTQ individuals on Duke’s campus faced major setbacks in every one of the last five decades.
The exhibit also functions as a timeline, marching the observer decade-by-decade in order to view every artifact within the greater context of Duke’s queer struggle. On display are arrest records for “homosexuality” in the 1960s, early 1970s-era queer publications, the official “dechartering” of the gay and lesbian alliance in the 1980s, the establishment of the LGB center during the 1990s, same-sex unions permitted in Duke Chapel at the start of the new millennium, and finally a reflection of the current vibrancy of Duke’s LGBTQ community.
The exhibit was curated by Duke alumnus Denzell Faison (T’14), with special thanks to co-advisors Dr. Janie Long, former director of Duke’s Center for Sexual and Gender Diversity, and Professor Raymond Gavins, Duke Department of History. Thanks also to the Duke University Archives, the E. Rhodes and Leona B. Carpenter Foundation, the Center for Sexual and Gender Diversity, Blue Devils United, and the Sallie Bingham Center for Women’s History & Culture for their institutional support and contributed resources.
Commemorative Exhibit Opening Event and Remarks: Please Join Us!
Date: Thursday, September 25 Time: 4:30 – 6:30 p.m. (Program begins at 5:15 p.m.) Location: von der Heyden Pavilion, Perkins Library Remarks by: Exhibit curator Denzell Faison (T’14), former director of the Center for Sexual and Gender Diversity Dr. Janie Long, and Duke University President Richard H. Brodhead.
Duke: 175 Years of Blue Devilish Images Student Photography Contest
We are pleased to announce the winners of this spring’s Student Photography Contest sponsored by Lilly Library and the Duke University Archives. Congratulations and many thanks to all the student contestants; we are pleased and overwhelmed by all the great photos. If you can’t make it into Lilly Library to view the winning photos on display, all the entries may be viewed on the Duke Libraries Photo Contest Flickr page.
Students reinterpreted iconic photos from four categories presented by University Archives, and the independent panel of judges selected the following winners:
Academics: First Prize – Donovan Loh, Field Trip to Lake Waccamaw
Runner-Up- Susannah Roberson, A Glimpse to the Past
Athletics: First Prize-Misty Sha, Jumping the Sunset
Runner-Up- Erica Martin, A Star on the Rise
Campus Scenes: First Prize – Misty Sha, Man in the Snow
Runner-Up- Shameka Rolla, Capturing the Moment
Social Life: First Prize – Catherine Sun, Jarvis Smoothie Night
Runner-Up- Jennifer Margono, Round Table Antics
All the students who contributed their contemporary perspective of past Duke scenes illustrate that campus life and student life remain constant over the years. We hope you’ll enjoy them as much as we do.
Currently on exhibit at Lilly Library: The winning photos are on display in Lilly’s lobby through May, and will be installed in Lilly Room 05 during summer 2014.
Duke: 175 Years of Blue Devilish Images – Student Photography Contest
Duke students are invited to celebrate the 175th anniversary of Duke University’s origins and win cash prizes at the same time! Explore and emulate the rich images of Duke’s past found in photos from University Archives and then reinterpret them with your own contemporary vision. Categories include Academics, Athletics, Campus Scenes and Social Life.
What you need to know:
Who may enter – Currently enrolled Duke Students
When – Contest ends Thursday, March 27th at midnight.
Prizes – Winning photographs in each category will receive $200. First runners-up receive $50.