This workshop will discuss the burgeoning phenomena of article retractions in the scientific and social scientific literature. No one plans to have an article retracted, so we will cover what to do to avoid a retraction and language the existing editorial literature can offer if you do find yourself dealing with a retraction as an author or one of a group of authors.
We will look at retraction notices, notices of withdrawal, errata, statements of editorial concern and other forms of announcement and notification used in journals. Participants will also learn how to find actual notices of retraction, where in databases and journals these statements may reside and how to decipher some of the coded language around articles that are in the process of being withdrawn.
The digital world allows us to connect in ever increasing ways. As an early career scholar these connections can provide you with both opportunities and challenges. This workshop is designed to help you consider the best ways to navigate how you want to present yourself online. We will discuss topics such as what to share and how to share, the ethical issues involved, and how to maintain the right balance of privacy. We will also examine some steps you can take, such as creating a profile on Google Scholar, creating a Google alert for your name, creating an ORCID ID, interacting professionally on Twitter, and creating an online portfolio. If you have a laptop, you may want to bring it. You will receive RCR credit for attending.
As bookbagging classes for the Spring semester commences, we are excited to announce the next wave of Archives Alive courses offered for Duke undergraduates. These courses are aimed at enabling students to develop innovative and significant projects based on original materials held in the David M. Rubenstein Rare Book & Manuscript Library.
As opposed to traditional offerings, Archives Alive courses provide students with weekly opportunities to conduct “hands-on” explorations into the rich and varied collections of rare print, manuscript, photographic, and audio materials. Students gain first-hand exposure to advanced research techniques in the new classroom space of the Rubenstein Library.
This upcoming semester, the Rubenstein Library will host two engaging courses that debuted last year. “History of the Book,” a phenomenally successful course on written text in its earliest forms through the 21st century, has been described by students as “thrilling,” “awesome,” and “engaging.” Another course dealing with recording technology, music, local history, and digital tools, “NC Jukebox,” has students raving about the hands-on explorations into century-old correspondence and audio recordings.
These classes for Spring 2017 are listed as follows:
Topics in Digital History & Humanities: NC Jukebox
HISTORY 390S-1/ISS 390S/MUSIC 290S-1
Curriculum Codes: ALP, CZ, R
Instructors: Trudi Abel/Victoria Szabo
History of the Book
CLST 360/MEDREN 346/ISS 360/HISTORY 367
Curriculum Code: ALP
MW 3:05-4:20. Rubenstein Library 150
Instructor: Clare Woods
The Duke University Libraries are offering $250 to faculty who are interested in learning about open educational resources for the courses they teach. Details below.
What are open educational resources (OERs)?
Open educational resources are teaching and learning materials that are free. Unlike traditional textbooks or course packets that students must purchase every semester, OERs are released under an open license that permits their free use and repurposing by others. OERs can include textbooks, full courses, lesson plans, videos, tests, software, or any other tool, material, or technique that supports free access to knowledge.
What is the Duke University Libraries OER Review Project?
The OER Review Project is a collaborative effort of the Duke Endowment Libraries, which includes all libraries at institutions supported by the Duke Endowment—Duke, Davidson College, Furman University, and Johnson C. Smith University. Faculty at all four schools are being offered $250 stipends to review OERs for potential use in their courses. (Limit 10 stipends per university.)
How does the program work?
Meet with a library staff member to learn more about OERs and select OERs to review.
Review each of your OERs by a determined date. We supply the review form.
Fill out a short survey about participating in the program.
10 lucky faculty members will get $250!
Who can participate?
All Duke faculty members. We’re interested in working with faculty from a variety of schools and academic programs. To learn more, please contact:
Outreach Coordinator for Open Access
Head of Research and Instructional Services
… What are the libraries’ hours? … How do I find a book? … Who can help me with research? … Where can I print?*
Duke University’s newest students will find the answers to these questions (and more!) on the Library’s First-Year Library Servicesportal page.
Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community. Duke University Libraries serve as the core of intellectual life on campus. Because East Campus is home to the First-Year students, Lillyand Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.
To help navigate the vast library resources, there is a portal especially for First-Year Students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:
When is the library open? How do I find a book? Where do I print?*
Duke University’s newest students can find the answers to these questions (and more!) on the Library’s First-Year Library Servicesportal page.
Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community. Duke University Libraries serve as the core of intellectual life on campus. On East Campus particularly, the Lilly and Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.
To help navigate the vast Library resources, we’ve created a portal especially for First-Year students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:
Quick Facts: about collections and loan policies Where: to study, print, and … eat! How: to find and check out books & material, and get… Help!: Meet the “who” – Librarians, Specialists, & Residence Hall Librarians Research 101: how to navigate the Research Process Citation 101: how to cite using recommended styles *And when is the Library open?
Find the answer in our list of the Top 12 Questions, developed with input from First-Year Library Advisory Board students.
If you regularly use WorldCat through the Duke University Libraries website, you might notice a small change soon.
Starting Tuesday, June 30, the Libraries will link to WorldCat through a new platform called WorldCat Discovery, instead of FirstSearch, the platform we’ve been using for some time. WorldCat Discovery is available online now at http://duke.on.worldcat.org/advancedsearch, and we invite you to take it for a test-drive!
When I teach Writing 101, I focus not on content, but on process. The goal is to give first-year students what my co-teacher, Heidi Madden, and I like to call a tool chest of skills in academic communication, broadly understood, that will help them make the most of studying at Duke. The skills we emphasize include writing skills such as revision; giving and accepting rigorous yet fair feedback; and communicating clearly and effectively for different audiences, media, and formats. We also emphasize turning students into effective, knowledgeable, and critical researchers by teaching them how to master the complex modern research engine that goes by the name of a research library.
Still, to learn process you have to apply it. For their final paper, students write a research paper in an area of my scholarly expertise, late medieval badges. These are small objects found in Great Britain and northwestern Europe, usually about the size of a quarter and featuring a vivid image. They were made to be worn, usually sewn or pinned to clothing, but sometimes suspended as a pendant. Made of lead-tin alloy, badges were cheap to make and to buy. Some 15,000 survive; millions were probably made in the three hundred years they were in circulation. Although they are little known today, badges were once ubiquitous, ordinary artifacts. What makes badges rewarding for student research are their images, which draw on and disseminate iconographies that, however shocking, mysterious, or inscrutable they now seem to us, were once widely and immediately understood. A badge image presents itself to a modern viewer as a puzzle that repays diligent, focused, expert research by delivering new findings and a deeper understanding of the past.
What a great topic for Writing 101! For their final paper, each student selects and researches a single badge and its image. As a way of getting to know their badge better, we asked students to carefully draw it. Then, we used the library’s button-maker to affix each drawing to an aluminum, pinned back. Viola! The medieval badges live again in a modern form, as buttons. Students were also asked to write a blog post about their badge, which they have identified using categories and data from an important, web-based reference and research tool for badges, the Kunera database housed at the University of Nijmegen in the Netherlands. This assignment allowed them to practice making academic research accessible and compelling to non-specialists. We, teachers and students, hope that the buttons and blogs pique your interest in medieval badges and in Writing 101 at Duke.
A Selection of Student Research on Medieval Badges
Tiffany Chen: What a week this has been! To be honest, when first faced with the task of researching the badge—well, actually, mine is an ampulla—I was sure it would not be so difficult. But when I realized that the ampulla for my paper is… undocumented in a conspicuous way… I found out how challenging researching the unknown can really be.
I have felt like a detective lately, sleuthing for clues and trying to piece them together in a way that not only makes sense, but also is likely to be correct. Luckily, I have found clues pointing me in promising directions. For instance, the location of my ampulla was listed as Jerusalem, but I had to look at the ampulla itself and its depiction to discover that it represented Jerusalem’s Church of the Holy Sepulchre, which is held by tradition to be the location where Christ was resurrected.
I am on a good path towards uncovering more clues. So far, I have delved into the ampulla’s rich history, circa 1149-1199 (around the time of the Third Crusade to the Muslim world). I have researched its image and as well ampullae in general to better understand how they were used. But I have yet to uncover information on the ampulla’s inscription of capital letters, HMPO, and on other key features. More to come in the future! Until then, this detective needs to pick up her magnifying glass and see what else she can find.
Kay Hasegawa:Yes, that badge is showing exactly what you think it is, a woman standing next to a penis with little arms and legs, wearing a crown, and carrying a pilgrim staff and a shoulder bag. Very, very eccentric, and not exactly the first thing we would imagine when we think about medieval accessories in Western Europe! But the image embodies a very common desire for the agriculture-intensive peasants of the day, the wish for fertility of the land and of the mother. All hail the medieval phallic figure!
Alyse Whitaker:Do me a favor. Imagine a world in which it is acceptable for you and your peers to wear clothing or badges adorned with explicit images of female and male genitalia… In our world, it would be unusual to walk down the street and see a man wearing a shirt with a phallus on it because exposing genitals is not tolerated or legal in American culture. Thinking back to the Middle Ages, which supposedly is a time when people were more modest, it was shocking to discover that this assumption was not accurate. Here is a badge that caught my eye. It shows a phallus on a spit, something used to roast chicken over a fire, with a vulva functioning like a “grease trap” to catch the drippings. There are so many impressions that could be taken from this image. My first impression was that the artist was trying to express the efficiency of the men when it came to fertility,. Or perhaps the image was supposed to shock and ward off evil spirits? Badges such as this one may have been worn for many different purposes.
Special thanks to Elena Feinstein and Aaron Welborn for bringing the button-maker to the library, and to Mark Zupan for photographing the buttons.
Beginning May 13th 2014, a Bass Connection project team of undergraduate and graduate researchers faculty and I began our collaboration, meeting in a dedicated space in Bostock Library and our project team will carry on there through early July. The Regulatory Disaster Scene Investigation project provides an opportunity to evaluate the process of assisting groups in focused research activities using the resources and expertise available through Duke Libraries. This project is in line with the projected opening of the Library Information Commons in 2015.
The broad intellectual question the group is investigating is “how does government best respond to crises?” The outcomes from this particular Bass Connections project will include a working visit to Washington D.C. to interview regulators and officials, producing a policy brief/ white paper, and possible conference presentations. This Bass Connections group work will make a contribution to a projected edited work which falls under the umbrella of the Recalibrating Risk working group in the Kenan Institute on Ethics.
The work group was convened in the Library by Professors Lori Bennear and Ed Balleisen and began with a discussion of assignments to investigate the history of government responders to crisis such as the NTSB, the Chemical Safety Board, the Congressional Research Service of the Library of Congress, British Parliamentary Commissions and corresponding institutions in other countries around the globe. The group members were assigned the task of preparing annotated bibliographies about the institutions and their histories.
As the project moves forward, librarians with subject specialization and language expertise including Holly Ackerman on Latin America and Greta Boers who has expertise in Dutch are helping these researchers make the best use of their limited time. Only four more weeks- yikes! In the future it seems likely that the role of librarians will expand in assisting researchers in time-delimited participation in work groups revolving around new spaces like the Information Commons.
Carson Holloway is Librarian for History of Science and Technology, Military History, British and Irish Studies, Canadian Studies and General History
This fall the source code for Fantasy Collecting, a pedagogical and research tool inspired by Fantasy Football and developed at Duke University, became publicly available on GitHub.
You may think you “know good art when you see it,” but this online art game will test your mettle as a tastemaker. Art fans, hackers, educators, and economists everywhere can now use Fantasy Collecting to both become the proud owners of masterpieces and attempt to mint new ones.
For those new to the notion of “fantasy art collecting” (which likely includes most of us), the Fantasy Collecting game is a classroom teaching and research tool that uses the pulse-pounding, high adrenaline activity of a virtual art market to teach art history and economics. Students try their hands at strategically increasing their collections’ value by promoting, acquiring, and trading works of art while performing micro-scholarship in the process.
Game co-designers Katherine Jentleson (Ph.D. Candidate in the Art, Art History, and Visual Studies department and member of the Duke Art, Law and Markets Initiative) and William Shaw (Duke University Libraries’ Digital Humanities Technology Consultant with the Humanities Writ Large initiative) developed and tested the game with art history and economics classes before preparing the code for public release under a Creative Commons Attribution-ShareAlike license. Thanks to a collaboration with Duke’s Nasher Museum of Art, students were able to play first with works from the world-renowned contemporary art collection of Duke alumni Jason Rubell and later with the 1,000+ permanent collection works that the Nasher has digitized as part of its eMuseum.
Built as a teaching tool with many potential applications, the game can now be used by others as a supplement to classroom and book learning, as a basis for research studies on topics like art preferences and auction behavior, or even just for casual play. The flexibility of the code allows new users to populate the game with images relevant to his or her teaching or research goals, determine the length of desired rounds of the game, and customize game events that incentivize players to meet challenges like writing “vision statements” about their collections. Documentation and explanatory videos provided along with the code offer instruction on how the game and game play work, and specifically how it was used for art history instruction.
The three videos below explain the concept and purpose behind the Fantasy Collecting game, the rules of game play (including video captures), as well as educational outcomes and student engagement.
Free lunch will be provided for participants before the event in the Schiciano Lobby from 12:00-1:00pm.
Come join us on October 22 and learn how to best use IEEE Xplore, one of the premier resources for scientific and technical content.
The IEEE Xplore digital library is a powerful resource for discovery and access to information published by the IEEE (Institute of Electrical and Electronics Engineers) and its partners. IEEE Xplore provides Web access to more than 3-million full-text documents from some of the world’s most highly cited publications in electrical engineering, computer science and electronics. The content in IEEE Xplore comprises over 160 journals, over 1,200 conference proceedings, more than 3,800 technical standards, over 1,000 eBooks and over 300 educational courses.
The training session will teach attendees to use this invaluable resource more efficiently, and will focus on several key points of interest.
Note: Lunch to follow in FCIEMAS lobby, 12:00-1:00 p.m. (provided by Elsevier). We will also be raffling off two iPod shuffles for attendees!
Please join us on October 16 for a Scopus training session on campus with Elsevier.
Scopus is the largest abstract and citation database of peer-reviewed literature from international publishers, open access journals, conference proceedings, and trade publications. Database coverage includes Chemistry, Physics, Mathematics, and Engineering; Life and Health Sciences; Social Sciences, Psychology, and Economics; Biological, Agricultural, and Environmental Sciences.
This training session will educate science faculty, researchers, and graduate students about Scopus, which was designed to save you time in finding the right articles.
Duke University Libraries invites you to attend GS711-10 Research Data Management, part of our Managing Your Research workshop series.Students, faculty, and staff are welcome to attend. Graduate student attendees will be eligible to receive RCR credit for participation in this event.
In response to expectations for open access to publicly funded research, agencies from the NSF to the NEH require data management plans as part of funding proposals. Increasingly, researchers are expected to provide access to data as part of verifying and replicating research results. This workshop provides a high-level overview of the research data lifecycle, focusing on particular moments and issues to consider in order to effectively and responsibly manage data used in a range of disciplinary projects. Participants will learn about resources available at Duke to support data management and where to go for additional, customized help in planning data management for research.
Funder requirements and writing data management plans for grant proposals
Records management for collaboratively produced data
Best practices for data description
Data storage options and appropriate back-up procedures
Sharing, publishing, and getting credit for your data
The when, why, and how of data archiving for long-term preservation
Undergraduate course and exhibition, Rivalrous Masculinities, explores competing constructions of masculinity over time.
It’s one thing to tell a student that gender is constructed. It’s quite another to ask a student to collect and explain historical images of masculinity. Add to that the added challenges of communicating these insights in a foreign language with students in another country in order to develop an exhibition for the Nasher Museum of Art, and you have no ordinary undergraduate class.
In this case, the class is Rivalrous Masculinities, a seminar co-developed by Professor Anne Marie Rasmussen and Ph.D. candidates Steffen Kaupp and Christian Straubhaar of the German Languages department. They structured this course so that their students would meet and work regularly with students at German universities in order to construct an exhibition focusing on competing social and cultural constructions of masculinity over time.
With approval and funding from the Mellon Foundation-funded Humanities Writ Large project, this Rivalrous Masculinities project team was put in touch with Will Shaw (Duke University Libraries’ Digital Humanities Technology Consultant), who steered them in the direction of Omeka, a freely available and open source web-publishing platform especially useful in the organization and online presentation of image collections. Students in the fall 2012 Rivalrous Masculinities course used Omeka to collect, describe, and share images with their classmates and instructors.
This collective research can now be viewed as part of a virtual exhibition, launched in March 2013 and available through 2014. Students signed up for the fall 2013 Rivalrous Masculinities course will continue the project, this time in collaboration with students from Humboldt University of Berlin and the University of Hamberg, to prepare a physical exhibition of these works in the Nasher Museum of Art in 2014.
Today Duke University Libraries launches its new Digital Scholarship Series,Text > Data, with a talk by UNC SILS faculty member Ryan Shaw – 2:30-4:00 PM in Perkins Library 217. All are welcome to attend.
Ryan will provide an overview and a critique of text-mining projects, and discuss project design, methodology, scope, integrity of data and analysis as well as preservation. This presentation will help scholars understand the research potential of text mining, and offer a summary of issues and concerns about technology and methods.