We’ve written many posts on this blog that describe (in detail) how we build our digital collections at Duke, how we describe them, and how we make them accessible to researchers.
At a Rubenstein Library staff meeting this morning one of my colleagues–Sarah Carrier–gave an interesting report on how some of our researchers are actually using our digital collections. Sarah’s report focused specifically on permission-to-publish requests, that is, cases where researchers requested permission from the library to publish reproductions of materials in our collection in scholarly monographs, journal articles, exhibits, websites, documentaries, and any number of other creative works. To be clear, Sarah examined all of these requests, not just those involving digital collections. Below is a chart showing the distribution of the types of publication uses.
What I found especially interesting about Sarah’s report, though, is that nearly 76% of permission-to-publish requests did involve materials from the Rubenstein that have been digitized and are available in Duke Digital Collections. The chart below shows the Rubenstein collections that generate the highest percentage of requests. Notice that three of these in Duke Digital Collections were responsible for 40% of all permission-to-publish requests:
- Historic American Sheet Music (17%)
- Sidney Gamble Photographs of China (14%)
- William Gedney Photographs and Papers (9%)
So, even though we’ve only digitized a small fraction of the Rubenstein’s holdings (probably less than 1%), it is this 1% that generates the overwhelming majority of permission-to-publish requests.
I find this stat both encouraging and discouraging at the same time. On one hand, it’s great to see that folks are finding our digital collections and using them in their publications or other creative output. On the other hand, it’s frightening to think that the remainder of our amazing but yet-to-be digitized collections are rarely if ever used in publications, exhibits, and websites.
I’m not suggesting that researchers aren’t using un-digitized materials. They certainly are, in record numbers. More patrons are visiting our reading room than ever before. So how do we explain these numbers? Perhaps research and publication are really two separate processes. Imagine you’ve just written a 400 page monograph on the evolution of popular song in America, you probably just want to sit down at your computer, fire up your web browser, and do a Google Image Search for “historic sheet music” to find some cool images to illustrate your book. Maybe I’m wrong, but if I’m not, we’ve got you covered. After it’s published, send us a hard copy. We’ll add it to the collection and maybe we’ll even digitize it someday.
[Data analysis and charts provided by Sarah Carrier - thanks Sarah!]